Reviews

Gogol’s Glitch

Kidd Pivot’s Revisor By Philip Szporer

The co-creators of the bold and distinctive Revisor, Jonathon Young and Crystal Pite, bear witness to themes of deceit, tyranny, greed and corruption in their re-telling of Nikolas Gogol’s The Inspector General.

Posted April 23, 2019

Skin, Pain, Plastic and Paper

Kelly McInnes’s SHINY at the Vancouver International Dance Festival By Rachel Silver Maddock

Just how deep does the damage go? In SHINY Kelly McInnes gets to the guts of this question in a persistent and stealthy topic: the effects of the beauty standards inflicted on women through media.

Posted April 16, 2019

Alien Rituals

10 Gates Dancing’s TRUST at the Vancouver International Dance Festival By Rachel Silver Maddock

The program describes the duet as a “requiem for wood and stone” – a “primitive mystery of vulnerability and transformation.” With or without these descriptions, the setup places us immediately inside some kind of ritual or spiritual journey, though its parameters and significance are unclear.

Posted April 15, 2019

Renaissance, Ritual and Passion

Toronto Dance Theatre’s Persefony Songs By Collette Murray

An inquisitive storyline begins as a pomegranate flips through the air. In response, the ensemble rises to engage in a syncopated choreographic trail.

Posted April 5, 2019

Lonely Elegy

Akram Khan’s XENOS By Philip Szporer

To appreciate Akram Khan, the exalted British dance artist, is to see his fierce spins, angled gestures, intricate patterns and the sublime articulation of hands, fingers and feet. But it also means seeing his moments of soft repose, which give pause.

Posted March 4, 2019

In the Cypher

Three street-to-stage performances in Montréal By Helen Simard

2019 might be the year that the Montréal stage dance community finally catches on to what’s going on in our city’s street dance scene.

Posted March 1, 2019

Phosphorescent Figures Rattle

Priscilla Guy and Sébastien Provencher’s Deux squelettes By Philip Szporer

Guy and Provencher’s characters are, in their work Deux squelettes, two artists who’ve shed, well, everything to probe the meaning of their existence.

Posted February 11, 2019

Stepping into the Twilight of the Sacred

Canada’s Royal Winnipeg Ballet presents Vespers at the National Arts Centre By Sheenagh Pietrobruno

James Kudelka transforms the religious evocation of this 1610 choral masterpiece into a contemporary spiritual testament to the union between animals, humans and nature.

Posted January 11, 2019

Navigating the Voyage

Lucie Grégoire’s Territoires By Philip Szporer

In many ways Lucie Grégoire’s new work, Territoires, is like an elusive secret. She notes that this piece is drawn from previous works and new material – a revisiting of her creative bank of work.

Posted December 7, 2018

Turn Me Inside Out

Rock Bottom Movement’s fantasylover brandishes a feminist awareness with a self-aware wink By Jillian Groening

fantasylover layers pop culture references and vibrant subversion of fairy tale tropes to create a feminist utopia.

Posted November 23, 2018

The Roots and Realities of Colourism

Esie Mensah’s Shades: What is Colour? By Collette Murray

Rooted in the fractured phenomenon of shadeism or colourism, Shades: What is Colour? engages with the discrimination deeply embedded in global communities of colour.

Posted October 31, 2018

Watching is Not Seeing

Rebecca Margolick and Andrea Peña & Artists By Lucy Fandel

A video projection of swaying torsos opens New York-based choreographer Rebecca Margolick’s birds sing a pretty song. Belonging to Austin Tyson and Margolick the torsos slowly turn and cross in front of one another, arms loosely wrapped around themselves.

Posted October 29, 2018