Reviews
Inner Worlds and Outer Lives
Janelle Hacault and Jane Mappin at Festival Quartiers Danses By Lucy FandelThe unseen and unspoken are themes that echo through a double bill with works by Janelle Hacault and Jane Mappin.
Posted October 18, 2018
Our Inevitable Fall
Alix Dufresne and Marc Béland’s Chutes: Descendre du ciel By Lucy FandelUninhibited and tender, Chutes is a confrontation of our physical and mental fall at the end of life.
Posted October 16, 2018
A Process of Fulfillment
Benchmarq presents Darshan By Brannavy JeyasundaramThe margam in bharatanatyam is a traditional repertoire consisting of core sections (or items, as they’re called in the form), strategically arranged to evoke a spiritual journey.
Posted August 29, 2018
Make It Rain
Eroca Nicols is the truthteller By Emma DoranTruthteller is an interactive presentation engaging with performance economies, rituals and intimacies between bodies.
Posted August 21, 2018
Yes Manifesto (2018)
Linnea Swan interprets modern dance history, makes us laugh, makes us cry and makes us laugh-cry By Emma DoranWith Swan’s impeccable comedic timing, we’re in good hands on a journey through modern dance moments. Each performance is enacted by Swan as she struggles with anxiety, and each is interrupted by one of Yvonne Rainer’s tenets. Nijinsky? Swan asks through her performance (“No to spectacle”). Duncan? (“No to transformations and magic”). Chouinard? (“No to trash imagery”). Ugh, fine, karaoke? (“No to camp”). And so on …
Posted August 21, 2018
Sensational but Stuck
Breakaway Entertainment’s Anatomy of a Dancer at the Toronto Fringe Festival By Grace Wells-SmithBefitting a show dedicated to Gene Kelly, I walked in the pouring rain to the Al Green Theatre in Toronto to see Anatomy of a Dancer by Breakaway Entertainment and choreographed by Adam Martino at the Toronto Fringe Festival.
Posted August 9, 2018
The Why and How
In Threes and The Fall at the Toronto Fringe Festival By Molly JohnsonMolly Johnson reviews two selection from the 2018 Toronto Fringe Festival: Colleen Snell’s The Fall and Alison Daley, Half Second Echo & Tracey Norman’s In Threes.
Posted August 9, 2018
Curating Time
Plastic orchid factory’s i miss doing nothing By Rachel Silver MaddockIn a large white studio, an immersive dance installation is going on, drawing audience members (or participants) into a space distinct from yet porous with the street below. To mark the ten-year anniversary of plastic orchid factory, performers and directors Natalie LeFebvre Gnam and James Gnam designed a unique movement retrospective framed by the present – i miss doing nothing.
Posted July 30, 2018
Fortunate Misgivings
Quantum Fur, curated by Geranium By Xdzunúm Danae Trejo-BolesCurated by Hanako Hoshimi-Caines, Maria Kefirova and Katie Ward, this evening of works included Stick Kitties by Marc Boucher, Perennial forage by Erin Fortier (both Montréal-based artists), Wampum by composer and artist Elisa Harkins (Cherokee/Muscogee) from Oklahoma and Milk Pearl by Moine de la non existence de la pensée, a multimedia artist from Belgium.
Posted July 20, 2018
No Holds Barred
Gearshifting Performance Works’ Phase Wash By Holly HarrisIn her latest creation, Jolene Bailie once again turns to the abstract world, with her all-local eight dancer ensemble.
Posted July 16, 2018
Bodily Reflections
Sasha Ivanochko’s new works By Robert KingsburyChoreographer Sasha Ivanochko premiered two works – Modern Woman in Search of Soul and Mirror Staging the Seeing Place – presented as part of Citadel + Compagnie’s Bright Nights series. Both have been in development for four years, culminating in an evening of highly focused, personal and rigorous performance.
Posted July 4, 2018
Songs for a Nervous System
Jean-Sébastien Lourdais’ Bleu By Philip SzporerLourdais’ work is concentrated on somatic states and he speaks in the programme notes about “refin[ing] the body’s state of awareness.” What’s clear in Bleu is the importance of touch.
Posted June 7, 2018
A Night at the Juke Joint
The latest from Holla Jazz By Valeria NunziatoUnder the artistic direction of Natasha Powell, Floor’d was a fresh spin on vernacular jazz – a journey to another era, complete with live jazz music that has spectators dancing along in their seats. From the strike of the first saxophone to the last dim of the lights, we were offered much more than a show: the audience was given an experience.
Posted May 22, 2018
Shadows Against a Sunset
pataSola dance’s Rift By Olivia C. DaviesResponding to the ongoing worldwide struggle of violence against women and girls, pataSola dance has created a theatrical performance work that pays homage to victims and survivors, while offering a transformative experience of surrender and sanctity.
Posted April 23, 2018
