Directed by Albert Girard and choreographed by Chantal Caron, Glace, crevasse et dérive is a metaphorical piece about death and the perpetual cycle of life. Set along the shores of the St. Lawrence River, the drifting blocks of ice caught in the river’s current represent a timeline. “It’s a story of a couple, a family, a generation, a life,” says Caron. Dancers Karine Gagné and Thomas Casey are featured in the short film.
The thirty-second edition of Festival international du film sur l’art (FIFA) will be hosted in Montréal from March 20 - 30 and will feature more than 270 art films from thirty-four different countries. Glace, crevasse et dérive can be screened on March 21 at the Centre Phi.
Some other new dance-film productions showcasing at the festival include Mario Rouleau’s adaptation of Marie Chouinard’s Le Sacre du Printemps, performed by the fourteen dancers of her company to celebrate the centenary of Stravinsky’s The Rite of Spring and Xavier Curnillon’s short film of Paul-André Fortier’s Perception, in which dancer Simon Courchel disappears and simultaneously reappears in the dark.
The Dance Current speaks with Pite about Body and Soul, watching dance meant for the stage on a screen and the “slight sense of terror” that comes with choreographing. Body and Soul will stream for Canadians from Feb. 17 through 23.
This year marks the tenth anniversary of Festival TransAmériques, and Montréal-based dancer and choreographer Louise Lecavalier is turning the stage into an imaginary battleground, diving into nine rounds of virtual combat with dancer Robert Abubo.
Montréal
QC
February 16-8 avril 2021
This intensive will explore the tendus and dégagés of ballet to the spinal work of contemporary dance and mudras of Indian dance in a hybrid new way to move.
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