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Desmond Heeley

 
Emerging Arts Critics Programme

A Medley of Magic and Madness

By Marissa Trarback

Before a single dancer appears on stage opening night at The National Ballet of Canada’s production of Giselle, a medley of magic and madness already fills the air.

 
Emerging Arts Critics Programme

Sin and Un-Earned Redemption

By Aziza Mohammed

An innocent peasant girl, a prince in disguise, and an undead queen. Saccharine leitmotifs and the most enthusiastic use of triangle in any orchestral work. Giselle has it all.

 
Emerging Arts Critics Programme

Giselle’s Restless Spirit

By Emily Trace

Traditionally described as ‘the ballerina’s Hamlet’, this production of Giselle by The National Ballet of Canada soundly debunks the adage.

 
Emerging Arts Critics Programme

Forget the Sylph: Where’s Effie?

By Marissa Trarback

In the midst of The National Ballet of Canada’s beautifully rendered performance of La Sylphide at the Four Seasons Centre for the Performing Arts, one might just wonder: where is Effie?

 
Emerging Arts Critics Programme

Competing Priorities

By Aziza Mohammed

While giving the story a subtly contemporary treatment relatable to the modern audience, The National Ballet of Canada’s production of La Sylphide explored the relationship between sacrifice and happiness in a faithful rendition of one of the world’s oldest ballets.

 
Emerging Arts Critics Programme

When Chasing the Sylph…

By Liz Ostil

Set to the traditional score by Herman Severin Løvenskjold, The National Ballet of Canada’s production of La Sylphide revisits one of the oldest classical ballets.

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