Devious Spine Chills

Hélène Blackburn and Lucie Bazzo’s Suites Ténébreuses / The Monsters By Xdzunúm Danae Trejo-Boles

There was a soft calmness to the dark theatre space of Agora de la danse as a mixed audience entered to see Cas Public’s Suites Ténébreuses / The Monsters, co-created by choreographer Hélène Blackburn and lighting designer Lucie Bazzo.


Humanity Adrift

Alan Lake Factori(e)’s Le cri des méduses By Dylan Schoenmakers

A painting come to life, Le cri des méduses dramatizes humanity at its most fractured and desperate.


Repetition is a Form of Change

Andrea Peña’s Untitled I + III By Helen Simard

In her latest work, choreographer Andrea Peña uses “sameness,” or repetition, as a catalyst for change, highlighting the transformative nature of the body as it oscillates between a site of resilience and vulnerability.


In the Grip of a Crowd

Hanna Kiel’s Resonance By Erin Baldwin

If you’re looking for clues to deciphering Resonance, the new dance production from Toronto-based choreographer Hanna Kiel, you might start with the name.


A Quizzical Assortment

Three choreographers remix Melanie Demers’ Cantique By Philip Szporer

When you let other choreographers remix your work, radical shifts can result, bringing into question cultural practice


Performing Radical Sincerity

Dana Michel’s CUTLASS SPRING By James Oscar

Dana Michel’s latest serving challenges us to reach into our imaginations to create our own intimate vocabularies while sitting with the work.


A Glimmer of Hope

Rodney Diverlus and Syrus Ware’s burn, burned By Valeria Nunziato

Through their original work, burn, burned, Rodney Diverlus and Syrus Marcus Ware present a fictitious futuristic setting following a band of revolutionaries looking to salvage what is left after decades of race-driven war and destruction.


Reclaiming Narrative for a Contemporary Audience

Josh Beamish’s @giselle By Rachel Silver Maddock

In @giselle, Josh Beamish takes the tragic romance of Giselle, which dates back to 1841, and inserts a third player, social media, to expose its role in modern-day relationships.


Defying the Familiar

dance: made in canada’s Mrozewski Series By Valeria Nunziato

The Mrozewski series at this year’s dance: made in canada festival defy the familiar with Katia-Marie Germain’s Habiter and Josh Martin’s Leftovers.


Blending In, Blending Out

Syreeta Hector’s Black Ballerina By Valeria Nunziato

Syreeta Hector’s Black Ballerina bears a loaded title, with an equally weighty repertoire of choreography. At SummerWorks Performance Festival, we were offered a preview of this work-in-progress, her first-solo work, with the full program premiering at The Citadel this fall.


That Sweet Spot Between Gallery and Stage

Alexa Mardon and Erika Mitsuhashi’s Tender Engine By Rachel Silver Maddock

Across four evenings this June, VIVO presented Tender Engine, a performance-installation piece co-choreographed by Alexa Mardon and Erika Mitsuhashi. The artists have been in research for over a year through residencies in Vancouver and Halifax, during which they investigated four areas: technology, language, storytelling and “performative expertise.”


An Electric Bolt of Messy

Helen Simard’s Requiem Pop By Philip Szporer

Helen Simard explores the life and work of music icon Iggy Pop in her newest creation called Requiem Pop, which tackles the notions of hero worship, fandom and the cultural icons we don’t know but love. The work unleashes an electric bolt of messy, self-destructive Iggy chaos onto the stage.


Gogol’s Glitch

Kidd Pivot’s Revisor By Philip Szporer

The co-creators of the bold and distinctive Revisor, Jonathon Young and Crystal Pite, bear witness to themes of deceit, tyranny, greed and corruption in their re-telling of Nikolas Gogol’s The Inspector General.


Skin, Pain, Plastic and Paper

Kelly McInnes’s SHINY at the Vancouver International Dance Festival By Rachel Silver Maddock

Just how deep does the damage go? In SHINY Kelly McInnes gets to the guts of this question in a persistent and stealthy topic: the effects of the beauty standards inflicted on women through media.

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