Back Issue
Features
In the Making
By Lys StevensFIND Refound: a New Formula for the Festival international de nouvelle danse
Social Studies
By Ann Kipling BrownWho is Teaching Our Children? The development of a Certificate in Dance Teacher Education
Departments
Short Waves
By Susan KendalDavid Moroni retires from Royal Winnipeg Ballet School; Last round for O Vertigo’s Luna; Citron’s 2003 fFIDA Award winners; New Halifax company receives significant funding [Mocean Dance]; Hodgkinson in high demand [Greta Hodgkinson]; 2003 Dora Award winners [The Satie Project; Serge Bennathan; Carolyn Woods; Nicola Pantin]
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Decolonizing Dance Stages
This year in Canada, the conversation about diversity, inclusion and representation has been omnipresent. I’m profoundly happy that more presenters, curators and jurors have brought these words into their vocabulary. But I question what they’re really referring to. Do we all really feel and understand the urgency? More precisely, when asking, “What does the word diversity really mean?” the answers from the dance milieu are often incomplete, reflecting a lack of comprehension of the issues at stake.
Perpetually in Motion
Principal dancer and resident choreographer with The National Ballet of Canada, composer, creator and, again this summer, artistic director of the Festival des Arts de Saint-Sauveur – an inspired meeting point of Canadian and international dance and music – Guillaume Côté describes himself as neurotic about dance.
