Back Issue

Volume 5, Issue 9
March 2003

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Features

Social Studies

By Marie Claire Forté, Lys Stevens

Dance And Beyond: pursuing a parallel career

Profile

By Kristin Harris Walsh

Dance in Canada’s Far East: Newfoundland’s Kittiwake Dance Theatre

In the Making

By Rebecca Todd

Enlivening the Land: Red Sky’s Integrated Approach

Departments

The Cultch wins million-dollar VanCity Award; Bill Coleman wins Jacqueline Lemieux Prize; Edmonton dance pioneer dies; Peggy Baker awarded Order of Ontario; News at the National Ballet of Canada; Two winners for Toronto Emerging Artist Award [Amy Bowring; Malgorzata Nowacka]; Website of the Month: CanAsian Dance Festival: www.canasian.icomm.ca

Health Beat

By Darryl Tracy

En-vision-ing Movement: the role of vision in dance

Making Waves

By Megan Andrews

Retaining the Essence: Yan Lam’s choreographic path

Dancefact

By Amy Bowring, Amy Bowring, Dance Collection Danse

Abandoned Ancesters, 1977; Gail Iness; Lisa Schwartz; Newfoundland Dance Theatre; Young Dancers; Kittiwake Dance Theatre

Ground level

By Elizabeth Chitty

Debbie Slade: in this together

Moving Others

Most dance artists and presenters must negotiate the tension between creating work that meets their artistic goals, that is accessible to their community and that provides the fiscal support required to live as an artist and to run a company. Emma Doran speaks with artists, organizations and presenters across the country to discuss how they envision their audience, how they are seeking to reach those individuals and what constitutes meaningful engagement with them.

Video

National Ballet of Canada: Emergence

Currently on a western Canada tour, the National Ballet of Canada is offering a mixed program featuring William Forsythe’s the second detail, Jer…

Listing

Creative Practice for Contemporary Dance

Banff Centre for Arts and Creativity

Banff AB
September 28-3 octobre 2020

This six-day online workshop aims to bring together emerging choreographers interested in broadening their understanding of composition and choreographic thinking, and mid-