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Short Waves
By Bridget CautheryGateway to Québec dance [Regroupment québécois de la danse]; Valerie Wilder leaves National Ballet of Canada; New network highlights technologies and the body [Performance Technologies Network]; Debut recording by the Orchestre des Grands Ballet Canadiens de Montréal [The Queen of Spades]; Alberta Ballet announces new artistic director [Jean Grand-Maître]; Jane Marsland wins Tulloch Award for innovation in the arts; fFIDA 2002 programming announced; McMaster University hosts urban dance competition; New Chalmers Program announced; Website of the Month: Regroupement québécois de la danse: www.québecdanse.org
Dancefact
By Amy Bowring, Amy Bowring, Dance Collection DanseSergei Marinoff Homestudy Method of Chicago
Ground Level
By Megan AndrewsCatrina von Radecki and Janet Johnson: listening to the audience in Guelph
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Moving Others
Most dance artists and presenters must negotiate the tension between creating work that meets their artistic goals, that is accessible to their community and that provides the fiscal support required to live as an artist and to run a company. Emma Doran speaks with artists, organizations and presenters across the country to discuss how they envision their audience, how they are seeking to reach those individuals and what constitutes meaningful engagement with them.
Perpetually in Motion
Principal dancer and resident choreographer with The National Ballet of Canada, composer, creator and, again this summer, artistic director of the Festival des Arts de Saint-Sauveur – an inspired meeting point of Canadian and international dance and music – Guillaume Côté describes himself as neurotic about dance.
DanceLab Sharing & Discussion
Rachel Meyer
Vancouver
BC
June 29-6 juillet 2021
Inspired by Rachel Meyer’s two-year-old daughter’s question: “Do we die when we sleep?”, this work aims to explore the emotion of wonder: imagination and dream-space infilt
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