Back Issue

Volume 4, Issue 11
April 2002

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Features

Social Studies

By Amy Bowring

On the Move 2002: a scribe’s perspective

In the Making

By Motria Sabat

Maxine Heppner: “We are complex creatures”

Departments

Making Waves

By Stephanie Thompson

Monica Gan: shy by nature, public by profession

Gateway to Québec dance [Regroupment québécois de la danse]; Valerie Wilder leaves National Ballet of Canada; New network highlights technologies and the body [Performance Technologies Network]; Debut recording by the Orchestre des Grands Ballet Canadiens de Montréal [The Queen of Spades]; Alberta Ballet announces new artistic director [Jean Grand-Maître]; Jane Marsland wins Tulloch Award for innovation in the arts; fFIDA 2002 programming announced; McMaster University hosts urban dance competition; New Chalmers Program announced; Website of the Month: Regroupement québécois de la danse: www.québecdanse.org

Dancefact

By Amy Bowring, Amy Bowring, Dance Collection Danse

Sergei Marinoff Homestudy Method of Chicago

Health Beat

By Darryl Tracy

Water as Therapy for overall fitness and rehabilitation

Ground Level

By Megan Andrews

Catrina von Radecki and Janet Johnson: listening to the audience in Guelph

Moving Others

Most dance artists and presenters must negotiate the tension between creating work that meets their artistic goals, that is accessible to their community and that provides the fiscal support required to live as an artist and to run a company. Emma Doran speaks with artists, organizations and presenters across the country to discuss how they envision their audience, how they are seeking to reach those individuals and what constitutes meaningful engagement with them.

Video

Perpetually in Motion

Principal dancer and resident choreographer with The National Ballet of Canada, composer, creator and, again this summer, artistic director of the Festival des Arts de Saint-Sauveur – an inspired meeting point of Canadian and international dance and music – Guillaume Côté describes himself as neurotic about dance.

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