Back Issue

Volume 3, Issue 5
October 2000

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Features

Profile

By Heidi Strauss

Heather Macrimmon: Hats, Dance and Costume Design

Social Studies

By Aimee Dawn Robinson

The Society for Canadian Dance Studies/ Société des études Canadiennes en danse: 6 Reasons Why

What the…?

By Nova Bhattacharya

Shared Visions: Defining our ecology through arts and science

Perspectives

By Nova Bhattacharya

A Walk through the Wardrobe: Costumes by Denis Joffre

Departments

Toronto’s bid for the 2008 Olympics; Canadian Children’s Dance Theatre celebrates 20 years; Anna Pavlova returns to Russia; TDT and Kaeja d’Dance on tour; Amendments to the Tobacco Act to affect sponsorships; 25 years of dancing at the Western Front; Choreographic Workshop at NBoC; The stars came out in Montréal; Washington Ballet going to Cuba; Dance Collection Danse releases new encyclopedia of dance; Sacred dance festival in Ottawa

Health Beat

By Darryl Tracy

Foot Facts

Dancefact

By Amy Bowring, Amy Bowring, Dance Collection Danse

Revived Greek Dance; Ruby Ginner

Ground level

By Megan Andrews

Kathleen Smith on dancefilm and the net

Moving Others

Most dance artists and presenters must negotiate the tension between creating work that meets their artistic goals, that is accessible to their community and that provides the fiscal support required to live as an artist and to run a company. Emma Doran speaks with artists, organizations and presenters across the country to discuss how they envision their audience, how they are seeking to reach those individuals and what constitutes meaningful engagement with them.

Video

Julio Hong: Yemayo

The Dancing on the Edge festival in Vancouver, running July 5th through 14th, has a great lineup of artists this year. Among them is Julio Hong of Montr…

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