Neena Jayarajan outlines her next steps as an independent artist, after her departure from the Menaka Thakkar Dance Company.
The Dance Current reflects on a year of dance criticism, by placing image and text together
Kevin Ormsby outlines his relationship to the Peeks Toronto Caribbean Carnival and its communal collective history.
Why are there so few women commissioned to make work in ballet companies? Deirdre Kelly talks to Kathleen Rea, Debbie Wilson, Gabrielle Lamb, Emily Molnar and Sarah Doucet about their reactions to recent events in the Canadian ballet community and what they wish to see moving forward.
An active member of the Vancouver street dance scene, Rina Pellerin is all about growing the waacking and hustle community.
Kylee Hart’s fourth season with the former Citie Ballet, newly renamed Ballet Edmonton.
Roberto Campanella, choreographer for the award-winning The Shape of Water, discusses movie magic, collaboration and choreographing for film.
Everyone knows rest is necessary – not least for dancers, whose artistic practice makes physical demands akin to athletes.
Most dance artists and presenters must negotiate the tension between creating work that meets their artistic goals, that is accessible to their community and that provides the fiscal support required to live as an artist and to run a company. Emma Doran speaks with artists, organizations and presenters across the country to discuss how they envision their audience, how they are seeking to reach those individuals and what constitutes meaningful engagement with them.
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