Back Issue

Volume 2, Issue 10
March 2000

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Features

What the…?

By Nova Bhattacharya

Livia Daza-Paris: Under Her Heart, Winchester Street Theatre, March 9-12, 2000

Profile

By Bonnie Kim

Carolyn Woods: Simple Pleasures

Irish Step Dancing, Fiddles and Footwork

By Kate Cornell

Perspectives

By Bridget Cauthery

Peers as Critics? A Question of Experience

Departments

Taxation Alert Part II; Funding Bodies; Wen Wei Wang; Susan Elliott; Scott Library [York University]; National Ballet of Canada; Yasmina Ramzy; Alberta Ballet; Toronto Dance Theatre; Dancer Transition Resource Centre; Allen and Karen Kaeja; Sylvie Bouchard; David Danzon; Dance Ontario Dance Weekend; Desrosiers Dance Theatre; Opera Atelier

Making Waves

Elijah Brown

Smatterings

By Heidi Strauss

Health Beat

By Darryl Tracy

Stretches…

A Suggestion from Sylvie

By Sylvie Bouchard

Butter is a Good Fat

Dancefact

By Amy Bowring, Amy Bowring, Dance Collection Danse

WWII

Doin’ the “Mumbo Jumbo”

By Megan Andrews, Megan Andrews, Maxine Heppner

Collective Copyright

As dance artists navigate projects and performances, they encounter differing ideas of authorship. The evolving relationship between artists and digital media sharing have also shaped how these concepts are understood. Slinger spoke with several contemporary dance artists about their understandings of ownership, authorship and the role of intellectual property in their art-making processes. She also weighs in with Carys Craig, a scholar of intellectual property, who argues that the legal system imposes binaries, such as choreographer/performer or work/performance, on creative work that do not speak to how dance is created, performed and shared.

Video

The Tartan Terrors: Whiskey Before Breakfast

Back in March, the Canadian Irish band The Tartan Terrors toured twelve cities in the United States to promote their eighth CD release, Whiskey Befor…

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