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Interdisciplinary

 

A Spirited Portrait 

By Kathleen Smith "Tziganes" Serge Bennathan, Dancemakers

Family and home are usually equated with security, grounded in a place with four walls and a roof. For much of the world however, family and home might mean something much more ephemeral. The tone for such musings is set in the opening moments of Serge Bennathan’s newest work for Dancemakers, “Tziganes”. 

 

Wrestling with Memory 

By Bridget Cauthery Autobiography: Chapters One through Five Gerry Trentham

Gerry Trentham is a creator of moments. One of my all-time favourite moments in contemporary dance came courtesy of Trenthams 1998 work “Cathedral”. And so I went to “Autobiography: Chapters One through Five” expecting moments. I was not disappointed. 

Alchemy of a Dance Festival: FIND-Lab Part 2 

By Kathleen Smith Festival international de nouvelle danse  Festival international de nouvelle danse 

The second part of this year’s edition of FIND was characterized by unusually fine weather outdoors, uneven programming indoors and an absolute obsession with technology everywhere you looked. Could these three elements possibly be related? 

 

Faces of Memory 

By Philip Szporer Cinq voix, cinq visages Jane Mappin

In “Cinq voix, cinq visages”, choreographer Jane Mappin conjures up a whole community of dancers, singers, storytellers and a mixed-generation cast, in a ninety-minute medley of stage performance along with video interviews and moving images. Mappin says she’s fascinated by the idea of memory. 

Dance and Biology 

By Kathleen Smith Shared Habitat Festival of Art and Science 2  Shared Habitat Festival of Art and Science

Its always cause for celebration when artists look beyond their own navels for inspiration. 

 

A Bazaar of Impressions 

By Philip Szporer Schatje George Stamos

George Stamos is the kind of choreographer that can’t make tidy dances, but that’s not to say he doesn’t use his material judiciously. In “Schatje” (the affectionate Dutch word “honey”, which, according to Stamos, is used by gays, prostitutes and drag queens), he’s feeding on club and strip joint behaviour in a theatrical setting, and everything and everyone is open to scrutiny – the manipulator and the manipulated, the subject/object and the viewer/viewed.

 

Still-Life Inspires Motion 

By Philip Szporer elles Louise Bédard

Choreographer Louise Bédard’s deep respect for Modotti has inspired her new production, “elles”.

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