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Improvisation

 

Seriously Improvising 

By Kaija Pepper “Thirst” Peter Bingham, Wen Wei Wang

The partnership of Peter Bingham and Wen Wei Wang is a surprising one. Bingham is an older dancer, in his mid-fifties, and widely known as a master of contact improvisation. Wang, fourteen years younger, studied Chinese dance from a young age, was a member of Ballet British Columbia for several years and has a growing reputation as a contemporary choreographer. 

 

Moments Apart, Together 

By Philip Szporer “Au coeur de l’inconnu/At The Heart of The Unknown” Andrew de L. Harwood, Kirstie Simson

A couple of comments linger long after watching the performance of Andrew de Lotbinère Harwood and Kirstie Simson, both accomplished dancer/improvisers. Prior to attending the concert, which occurred during the recent CORD (Congress on Research in Dance) conference in Montréal, one of the speakers, an academic from the United States, asked what was playing in town that night, and I mentioned the show at Studio 303. Her response was curt: “Oh, is [Harwood] still doing that?” That not-so-gentle put-down was countered by a woman who exited the show, remarking, “[Simson] has managed to take him far beyond what he normally does.”  

 

Not Wisely But Too Well 

By Garth Von Buchholz “Othello” Tom Stroud, Winnipeg’s Contemporary Dancers

Of “Othello” the play and “Othello” the dance, you could say that “so sweet was ne’er so fatal”. The Canadian premiere of Tom Stroud’s “Othello”, performed by Winnipeg’s Contemporary Dancers (WCD), was a bleak and emotionally exhausting experiment in unstructured, improvised dance theatre. 

 

Vancouver International Dance Festival 2005

By Kaija Pepper Vancouver International Dance Festival Vancouver International Dance Festival

The fifth Vancouver International Dance Festival at the Roundhouse Community Centre took place from March 8-26, 2005 

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