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Ballet

 

Ballet in the Vernacular 

By Kaija Pepper The Magic Flute Mark Godden, Canada's Royal Winnipeg Ballet

Mark Godden’s “The Magic Flute”, with its mix of classical ballet and contemporary cultural references, is great fun. Not just for the work itself, but also because of the reactions of the audience. To hear so many chuckles and gales of laughter at the ballet was a pleasure.  

 

Expressive Geometry  

By Philip Szporer Adela, Mi Amor José Navas, Compagnie FLAK

Inspired by the writing of Spanish playwright Federico Garcia Lorca, and in particular his most political dramatic work “La casa de Bernarda Alba”, José Navas finds common ground with the playwright in that he wanted to respond to what he calls the “non-dance” that he sees produced in the Québec milieu.

 

LOVE ME: Cinderella, Astroturf, red sequins and dancing men  

By Marie Claire Forté Celle qui, dit-on, aurait perdu sa chaussure (Cendrillon) Les Grands Ballets Canadiens de Montréal, Stijn Celis

How much can you renew a traditional fairy tale? Les Grands Ballets Canadiens de Montréal and Belgian choreographer Stijn Celis answer with “Celle qui, dit-on, aurait perdu sa chaussure (Cendrillon)”.

Alchemy of a Dance Festival: FIND-Lab Part 2 

By Kathleen Smith Festival international de nouvelle danse  Festival international de nouvelle danse 

The second part of this year’s edition of FIND was characterized by unusually fine weather outdoors, uneven programming indoors and an absolute obsession with technology everywhere you looked. Could these three elements possibly be related? 

Humour, Words and Some All-Out Dance 

By Kaija Pepper Dancing on the Edge Festival 2003 Dancing on the Edge Festival

The fifteenth annual Dancing on the Edge, presented by the Firehall Arts Centre in Vancouver from July 3rd through 13th, was a remarkably mature edition.

 

Blurred Bodies, Bionic Bodies 

By Philip Szporer Amelia Édouard Lock, La La La Human Steps

“Amelia” is one of the most anticipated dance productions of the season. After a much-ballyhoued European tour, and a stop in Ottawa at the National Arts Centre for the Canadian premiere, Édouard Lock’s La La La Human Steps opened the Festival Montréal En Lumière.

 

A Cerebral Take on a Swirling Tale 

By Kaija Pepper Scheherazade John Alleyne, Ballet BC

Vancouverites had to wait until mid-November for the ballet season to open this year, when Ballet British Columbia premiered artistic director John Alleyne’s “Scheherazade”.  

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