Features
New Season Reads
By Emma KersonWhether you’re headed back to school or not, the September air always brings about the feeling of education. If you’re looking to expand your horizons with dance literature this fall, here are a couple of new books we feel are worth adding to your reading list.
Posted September 14, 2016
The Creative Gesture
Banff Centre for Arts and Creativity By Sarah ToddThe Creative Gesture, the inaugural contemporary dance residency led by sessional Banff dance director Emily Molnar and program head Stephen Laks, demonstrates responsiveness within a very ambitious and structured four weeks in the mountains.
Posted August 27, 2016
Moving Beyond the Pas-de-Deux
Four Montréal-based dance artists discuss gender in contemporary dance By Helen SimardHelen Simard discusses issues of gender in contemporary dance with four Montréal-based dance artists.
Posted August 15, 2016
Canadian Dance Goes Audio
Radio and Podcasts Take the Stage By Rachel Silver MaddockDid you know that Canada produces a number of rich listening resources for dancers? Here are some Canadian dance audio highlights for you to tune into.
Posted June 27, 2016
Ballet BC Rehearsal Director Sylvain Senez Retires
By Brittany DugganIn a phone interview with The Dance Current, Ballet BC’s longtime rehearsal director, Sylvain Senez, reflects on his time with the company, how dance has changed in the past thirty-five years, and what he’s got planned next.
Posted June 27, 2016
Into the Tao is Full of Street Dance Soul
By Rachel Silver MaddockStreet dance is vibrant and brimming with talent in Vancouver. Into the Tao is a journey into a street dancer’s mind and the psychology of going into a dance battle. In this project, Kim Sato explores the reasons why street dancers put themselves through battles, when it can be incredibly stressful and physically demanding.
Posted June 11, 2016
Cross-Canada Checkup
Canada Dance Festival takes the pulse of dance in Canada By Kathleen SmithNow gearing up for its twentieth edition, CDF offers an important accounting of the state of the art of dance across the country. With regular “off-year” events and a full-on festival every other year, the festival is dedicated to growing audiences in the Ottawa region and providing a meeting site for dance artists across regional, generational, cultural and disciplinary lines.
Posted May 30, 2016
Lucilla Munaretto Returns to the Stage
By Brittany DugganCoastal City Ballet dancer Lucila Munaretto, the twenty-one-year-old who was in a near-fatal rollerblading accident last summer, makes a comeback with a character role in new Swan Lake.
Posted May 20, 2016
Skating on the (B)rink
By Philip SzporerWith their daring innovations and flair, and an undeniably egalitarian mode of presentation, Montréal’s Le Patin Libre is gliding its way onto the world stage, continually igniting and spurring on new support and interest for the work and the group’s ambitions.
Posted March 8, 2016
The Invisible Injury
Two dancers discuss concussions in dance and the recognition, treatment, prevention and significance of this often misunderstood brain injury By Justine ComfortTwo dancers discuss the implications of concussions and the recognition, treatment, prevention and significance of this often misunderstood brain injury.
Posted March 1, 2016
Chan Hon Goh on Change and Giving Back
The principal dancer turned teacher and her cross-Canada master class tour By Emma KersonCoaching the next generation of aspiring ballerinas as part of her role as director of the Goh Ballet Academy in Vancouver, Vancouver’s Chan Hon Goh shares her favourite ballets, what dance means to her and the her thoughts on the state of Canadian ballet.
Posted February 24, 2016
Liquid Leading
Breaking Ballroom Traditions By Lori StrausThe rules of ballroom dance have been evolving since day one. But, according to Burlington-based dancer and actor Trevor Copp, they’ve still a ways to go to before reflecting our current contemporary society.
Posted January 11, 2016
Exclusion in Inclusion
Male dancers are in high demand, but at what expense does the dance world seek to encourage their participation? By Carolyn HebertThere are many current programs and incentives aimed to encourage boys and men to dance, but how do they affect the girls and women with whom the male dancers train and perform? Carolyn Hebert examines the implications of such policies on both male and female dancers, as well as the dance world more broadly. She examines the consequences of the use of gendered language of athleticism as a way to make dance appear more masculine. Using her own research amongst adolescent dancer in a competitive studio, she highlights how costume, choreography and teaching practice often prioritize boys’ experience at the expense of the girls.
Posted January 6, 2016
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