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Contributor

Philip Szporer

Contributor

Philip Szporer is a Montréal-based freelance writer, filmmaker and lecturer. Recipient of the 2010 Jacqueline Lemieux Prize, Scholar-in-Residence at the Jacob’s Pillow Dance Festival and a former Pew Fellow at UCLA, Philip contributes to Tanz. Media productions include Byron Chief-Moon: Grey Horse Rider, Quarantaine, and the stereoscopic film, Lost Action: Trace

Philip Szporer's Work

An Ambitious Course

Master Plan for Dance in Québec By Philip Szporer

In a policy document spanning 134 pages, Le Regroupement québécois de la danse (RQD) has launched its Master Plan for Professional Dance in Québec 2011-2021.

 

Festival TransAmériques 2011

By Philip Szporer, MJ Thompson Festival TransAmériques 2011

Montréal residents Philip Szporer and MJ Thompson engage in a dialoque around their Festival TransAmérique 2011 experiences.

 

Cool Complexity 

By Kathleen Smith, Philip Szporer Untitled Édouard Lock, La La La Human Steps

Two reviewers argue about Untitled, the newest work by Édouard Lock and La La La Human Steps here in Toronto.

 

Charting His Course 

By Philip Szporer “Question de souffle et de vie” Roger Sinha

When it comes to celebrating a twentieth anniversary, what better way to usher in the milestone than a packed house of well-wishers?

 

One Miss, One Hit  

By Philip Szporer “Icônes, À VENDRE”, “Junkyard/Paradis” Manon Oligny, Mélanie Demers  

A sinking sensation set in as I watched Manon Oligny’s latest work, “Icônes, À VENDRE” (Icons, FOR SALE), part of the Danse-Cité-produced Traces Chorégraphes series.

Master Plans

Charting Canadian Dance By Megan Andrews, Brittany Duggan, Philip Szporer

Three major policy and research projects around dance are currently being rolled out across the country. The Regroupement québécois de la danse’s Master Plan, the Canadian Dance Assembly’s I Love Dance/j’aime la danse campaign and the Canada Council for the Arts Dance Office’s Mapping Dance Project all seek to achieve a better understanding of Canadian dance culture in order to describe it, protect it and promote it.

A Passionate and Bumpy Flight

By Philip Szporer

S’envoler by Estelle Clareton

Hi-Tech, Lo-Tech, No-Tech

By Philip Szporer

Avatar by Freya Björg Olafson; The Great Escape by Isobel Cohen

Writer’s Statement

By Philip Szporer

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