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Contributor

Philip Szporer

Editorial Advisory Committee, Contributor

Philip Szporer is a Montréal-based freelance writer, filmmaker and lecturer. Recipient of the 2010 Jacqueline Lemieux Prize, Scholar-in-Residence at the Jacob’s Pillow Dance Festival and a former Pew Fellow at UCLA, Philip contributes to Tanz. Media productions include Byron Chief-Moon: Grey Horse Rider, Quarantaine, and the stereoscopic film, Lost Action: Trace

Philip Szporer's Work

 

A New Contour 

By Philip Szporer Margie Gillis 30th Anniversary  Margie Gillis

Audiences probably watch Gillis work differently from the way they watch other kinds of dance. Many come in awe, ready to receive the work with reverence and devotion. At the recent anniversary concert, for example, one middle-aged man a few rows ahead of me looked like he was ready to fling himself on stage (he didnt), but he did rush to throw his “billet doux” at her feet.  

Ground level

By Philip Szporer

A FIND Farewell (Festival international de nouvelle danse)

 

A Middle Eastern Take on "Le Sacre"  

By Philip Szporer L'Oeil et la nuit Motaz Kabbani

Motaz Kabbani is still making a name for himself on the Canadian dance scene, and now he has done something somewhat daring and unusual that should garner attention.  

 

Motion in Motion 

By Philip Szporer Moving Pictures Festival of Dance on Film and Video  Moving Pictures Festival

The 12th annual edition of the Moving Pictures Festival of Dance on Film and Video, curated by Kathleen M. Smith and Marc Glassman, opened in grand style, with a ballet-based evening of screen dance.  

 

Searching for Dance: FIND-Lab Part 1 

By Philip Szporer Festival international de nouvelle danse  Festival international de nouvelle danse 

From high culture venues to warehouse-styled art spaces on Montréal’s tenderloin, Festival international de nouvelle danse (also known as FIND-Lab) audiences had the opportunity to witness in real-time Gertrude Steins adage that “great art is irritation”.  

 

Faces of Memory 

By Philip Szporer Cinq voix, cinq visages Jane Mappin

In “Cinq voix, cinq visages”, choreographer Jane Mappin conjures up a whole community of dancers, singers, storytellers and a mixed-generation cast, in a ninety-minute medley of stage performance along with video interviews and moving images. Mappin says she’s fascinated by the idea of memory. 

 

Dancing, Death & Narcissism 

By Philip Szporer Monsieur Estelle Clareton

Estelle Clareton, one of Québec’s up-and-coming choreographers, sets up an inspired theatrical premise early on in her new work, “Monsieur”, the first in a planned triptych focussing on men.

 

Blurred Bodies, Bionic Bodies 

By Philip Szporer Amelia Édouard Lock, La La La Human Steps

“Amelia” is one of the most anticipated dance productions of the season. After a much-ballyhoued European tour, and a stop in Ottawa at the National Arts Centre for the Canadian premiere, Édouard Lock’s La La La Human Steps opened the Festival Montréal En Lumière.

 

A Bazaar of Impressions 

By Philip Szporer Schatje George Stamos

George Stamos is the kind of choreographer that can’t make tidy dances, but that’s not to say he doesn’t use his material judiciously. In “Schatje” (the affectionate Dutch word “honey”, which, according to Stamos, is used by gays, prostitutes and drag queens), he’s feeding on club and strip joint behaviour in a theatrical setting, and everything and everyone is open to scrutiny – the manipulator and the manipulated, the subject/object and the viewer/viewed.

Guest Editorial

By Philip Szporer

A Cacophony of Voices

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