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Contributor

Philip Szporer

Contributor

Philip Szporer is a Montréal-based freelance writer, filmmaker and lecturer. Recipient of the 2010 Jacqueline Lemieux Prize, Scholar-in-Residence at the Jacob’s Pillow Dance Festival and a former Pew Fellow at UCLA, Philip contributes to Tanz. Media productions include Byron Chief-Moon: Grey Horse Rider, Quarantaine, and the stereoscopic film, Lost Action: Trace

Philip Szporer's Work

Perspectives

By Philip Szporer

Written in the Sand: Issues in Dance Legacy and Preservation

Perspectives

Precipitating Events: The Closing of Fondation Jean-Pierre Perreault By Philip Szporer

Perspectives

By Philip Szporer

Stranded on tour: thirty-two Joes and the closing of the Fondation Jean-Pierre Perreault

 

Apricot Trees Exist  

By Philip Szporer "Apricot Trees Exist" Roger Sinha

Roger Sinha’s new work for six dancers, “Apricot Trees Exist”, which opened at the Agora de la danse, is reflective, but nonetheless removed from the personal. Now more than ever, the Montréal-based choreographer seems concerned with breaking away from the labels that may have described his work in the past.  

 

Elastic Charisma 

By Philip Szporer "Slicing Static" Victor Quijada, Rubberbandance Group

Rubberbandance Group’s “Slicing Static” explores dance and theatre, working thematically with the insecurity and the uncertainty of our lives. Choreographer Victor Quijada warms up the audience members as soon as they enter the big open theatre space of Usine C, a former jam factory in the city’s east end that is home to the dance-theatre company Carbone 14.

 

Patchwork but Persistent 

By Philip Szporer, Kaija Pepper, Kate Cornell, Bridget Cauthery, Marie Claire Forté Canada Dance Festival 2004  Canada Dance Festival

It’s been a rough road for the Canada Dance Festival this year, first facing funding shortfalls, and subsequently narrowing the programming to fourteen performances, down from thirty-one two years ago. Organizers of the tenth edition, not willing to relinquish much else, splashed the slogan “Dare to turn up the heat” in riposte. 

 

Deconstructing Hitchcock 

By Philip Szporer "Blackmail" Deborah Dunn, Trial & Eros

“Blackmail” is Deborah Dunn’s first full-length choreography since “The Birds”. Here, she isn’t pirating, but rather is inspired to deconstruct another Alfred Hitchcock film.

 

Inscrutable Reflections 

By Philip Szporer "Narcisse en Silence"   Mariko Tanabe Danse

In Greek mythology, the beautiful Narcissus discovered his image in a pool, fell in love with himself, and not being able to find consolation, died of sorrow by the same pool. While the myth may be imprinted in our collective unconscious, Montréal-based dancer and choreographer Mariko Tanabe’s “Narcissus” is hardly conventional.  

 

Expressive Geometry  

By Philip Szporer Adela, Mi Amor José Navas, Compagnie FLAK

Inspired by the writing of Spanish playwright Federico Garcia Lorca, and in particular his most political dramatic work “La casa de Bernarda Alba”, José Navas finds common ground with the playwright in that he wanted to respond to what he calls the “non-dance” that he sees produced in the Québec milieu.

 

Unplugged and Inside-Out 

By Philip Szporer Débranché PPS Danse

Fashioned not unlike a television reality show, “Débranché”, PPS Danse’s new production, evokes the highly disposable but hugely popular genre that drives commercial television worldwide.

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