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Contributor

Philip Szporer

Contributor

Philip Szporer is a Montréal-based freelance writer, filmmaker and lecturer. Recipient of the 2010 Jacqueline Lemieux Prize, Scholar-in-Residence at the Jacob’s Pillow Dance Festival and a former Pew Fellow at UCLA, Philip contributes to Tanz. Media productions include Byron Chief-Moon: Grey Horse Rider, Quarantaine, and the stereoscopic film, Lost Action: Trace

Philip Szporer's Work

 

A Flamenco Transposition 

By Philip Szporer “Azafran Or Rouge” Ballet Flamenco Arte de España

What happens when a Québécois play is transposed into the language of flamenco? For Laura Lynne McGee, the result is “Azafran Or Rouge”. The latest show by Montréal’s Ballet Flamenco Arte de España, “Azafran Or Rouge” recently played the long and narrow Club Soda nightclub, a renconverted old movie house with floor and balcony seating, that these days mainly books music concerts.

 

Intersections, Overcrossings 

By Philip Szporer “The Part” Antonija Livingstone, Edgy Women International Festival

Lean, bleached-blond, with legs that go on and on, Antonija Livingstone cuts a striking figure. The Part is a work that she’s currently touring.

 

The Sight (Site) of Motion 

By Philip Szporer "Vortex 1"

Van Grimde Corps Secret’s latest production, “Vortex 1”, is just the latest in a series of Montréal dance concerts that have featured live musicians onstage, and in close proximity to the audience.  

 

Rhythmic Confrontation 

By Philip Szporer “Exit” Dominique Porte, Système D

Confrontational and contained, Dominique Porte’s Exit, features music compositions by four Canadian composers – James Harley, Nicolas Gilbert, Michael Oesterle and Howard Bashaw – with Véronique Lacroix of the Ensemble contemporain de Montréal directing the live performances of percussionist Philip Hornsley and pianist Pamela Reimer.  

 

Pushing Past the Comfort Zone 

By Philip Szporer “Lost Pigeons” David Pressault Danse

For David Pressault’s Danse-Cité production, “Lost Pigeons”, the dancer-choreographer uses the symbol of the sexy pigeon as his central image to probe today’s lost generation of lovers who see relationships slipping away.  

Paul-André Fortier

urban ritual, dancing man By Philip Szporer

Urban ritual, dancing man describes his latest work, Solo 30x30, as “900 minutes of intimacy between a man and a city.” A thirty-minute dance performed for thirty days in a row, whatever the weather, in five outdoor locations around the world, the project culminates in Montréal this month.

Festival de théâtre des Amériques, May-June 2005

By Philip Szporer

100 Rencontres by Benoît Lachambre: Montréal: May 25-29, 2005, p 14; In Side and Aura by Stephane Gladyzewski: Montréal: May 30-31, June 1-2, 2005

Dancing the Architecture

By Philip Szporer

Full Time at the Belgo (FTATB) by Lin Snelling: Montréal: October 1, 2005

The Sight (site) of Motion

By Philip Szporer

Vortex 1 by Van Grimde Corps Secrets/Le Nouvel Ensemble Moderne: Montréal: February 22-24, 2006

 

Moments Apart, Together 

By Philip Szporer “Au coeur de l’inconnu/At The Heart of The Unknown” Andrew de L. Harwood, Kirstie Simson

A couple of comments linger long after watching the performance of Andrew de Lotbinère Harwood and Kirstie Simson, both accomplished dancer/improvisers. Prior to attending the concert, which occurred during the recent CORD (Congress on Research in Dance) conference in Montréal, one of the speakers, an academic from the United States, asked what was playing in town that night, and I mentioned the show at Studio 303. Her response was curt: “Oh, is [Harwood] still doing that?” That not-so-gentle put-down was countered by a woman who exited the show, remarking, “[Simson] has managed to take him far beyond what he normally does.”  

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