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Contributor

Philip Szporer

Editorial Advisory Committee, Contributor

Philip Szporer is a Montréal-based freelance writer, filmmaker and lecturer. Recipient of the 2010 Jacqueline Lemieux Prize, Scholar-in-Residence at the Jacob’s Pillow Dance Festival and a former Pew Fellow at UCLA, Philip contributes to Tanz. Media productions include Byron Chief-Moon: Grey Horse Rider, Quarantaine, and the stereoscopic film, Lost Action: Trace

Philip Szporer's Work

 

Festival des Arts de Saint-Sauveur to Produce Ten Dancefilms Over Two Weeks

Festival des Arts de Saint-Sauveur (FASS)’s online project will run July 5 through September 6, highlighting the work of Quebec-based artists.

Welcome to Tap Dance Land

By Philip Szporer

Andrew Nemr, artistic and executive director of Vancouver Tap Dance Society, or VanTap as it is popularly known, believes an education in tap must include an education in the dance form’s complex cultural histories.

Rachel Harris / Photo by Jeremy Gordaneer
 

Extricating Liveness During COVID-19

Thea Patterson’s Silvering in Confinement By Philip Szporer

Philip Szporer reviews Thea Patterson’s digital performance, Silvering in Confinement, confronting disconnection in our virtually connected, COVID-19 world.

 

Dystopian Impressions

Marie Béland’s Beside By Philip Szporer

Fragmentation immediately pervades Marie Béland’s imaginative Beside, a collaboration of maribé - sors de ce corps and Montréal Danse.

 

A Quizzical Assortment

Three choreographers remix Melanie Demers’ Cantique By Philip Szporer

When you let other choreographers remix your work, radical shifts can result, bringing into question cultural practice

 
On the Ground

Slicing Through Identities

By Philip Szporer

Discussing her newest creation, CUTLASS SPRING, Dana Michel speaks about the inspiration behind her experimental and intimate exploration of sexuality within identity.

 

An Electric Bolt of Messy

Helen Simard’s Requiem Pop By Philip Szporer

Helen Simard explores the life and work of music icon Iggy Pop in her newest creation called Requiem Pop, which tackles the notions of hero worship, fandom and the cultural icons we don’t know but love. The work unleashes an electric bolt of messy, self-destructive Iggy chaos onto the stage.

 

Gogol’s Glitch

Kidd Pivot’s Revisor By Philip Szporer

The co-creators of the bold and distinctive Revisor, Jonathon Young and Crystal Pite, bear witness to themes of deceit, tyranny, greed and corruption in their re-telling of Nikolas Gogol’s The Inspector General.

 

Lonely Elegy

Akram Khan’s XENOS By Philip Szporer

To appreciate Akram Khan, the exalted British dance artist, is to see his fierce spins, angled gestures, intricate patterns and the sublime articulation of hands, fingers and feet. But it also means seeing his moments of soft repose, which give pause.

 

Phosphorescent Figures Rattle

Priscilla Guy and Sébastien Provencher’s Deux squelettes By Philip Szporer

Guy and Provencher’s characters are, in their work Deux squelettes, two artists who’ve shed, well, everything to probe the meaning of their existence.

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