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Contributor

Kathleen Smith

Contributor

Kathleen Smith is a Toronto-based filmmaker, producer and writer with a special interest in movement and performance. Kathleen was editor of The Dance Current from July 2011 through April 2014. 

Kathleen Smith's Work

 

A review in the shape of a conversation 

By Kathleen Smith, Megan Andrews “/dance/songs/” Ame Henderson, public recordings

“A dance in the shape of a rock show.” Sounds like a good idea, right? It was only a matter of time before someone figured out how to harness the casual collectivity and emotional energy of going to hear a favourite band and applied it to a choreographic concept.  

 

Working Toward World Class 

By Kathleen Smith ProArteDanza  ProArteDanza

A ProArteDanza opening always has a buzz-y kind of glamour – people dress up, they talk about the work, clearly excited to be there. Some of the city’s finest classical and contemporary dancers grace the stage; the rest can be found in the audience along with students and hip dance fans of all stripes.  

 

Serious Themes, Seriously Treated 

By Kathleen Smith IN(side)time: made in Canada/fait au Canada  dance: made in Canada/fait au Canada

Made in Canada/fait au Canada is a biannual showcase of contemporary dance curated by choreographer/performer Yvonne Ng via her company princess productions. Over two weeks, the last of September and first of October, six works were presented, some new and some worthy remounts.  

A Commitment to the Future

By Kathleen Smith Toronto International Dance Festival (a fFIDA presentation) Toronto International Dance Festival

For fifteen years, the fringe Festival of Independent Dance Artists (fFIDA) has presented a mixed bag of dance over an extended period in August. Chosen by lottery and stacked into mixed programs and large-scale spectaculars, the dance viewing experience has also been a crapshoot. Some years it was mostly dross with a few buried treasures; in others, the riches made you feel hopeful for the future of dance in Canada. 

 

What can you say about love? 

By Kathleen Smith "The Betrayal Project" Julia Sasso Dances

What can you say about love, lust and sex that hasn’t already been said in a million different ways in a multitude of media? This is the fundamental dilemma that must underpin any discussion of Julia Sasso’s new full-length exploration of eros: “The Betrayal Project”. 

Undercurrents

By Kathleen Smith

Moving Pictures says Farewell

Christopher House

an inquiring mind By Kathleen Smith

Friend and fan of the choreographer, writer and filmmaker Kathleen Smith talks with Christopher House about his latest work Timecode Break, among other things including the creative process, books, imagery and cupcakes.

Amanda Hancox

Taking the lead at the DTRC By Kathleen Smith

In January, Dancer Transition Resource Centre founder Joysanne Sidimus stepped down after twenty years and Amanda Hancox stepped across the hall from her former office as Director of Administration into the role of Executive Director – a transition in its own right. Hancox also has first-hand experience of life as a dancer.

 

A Double Handful 

By Kathleen Smith New Crop of Dancefilms Premiere at FIFA  FIFA (Festival International du Film sur L'Art) 

Montréal’s Festival international du film sur l’art (FIFA) launched its 23rd edition this past March at venues all over town. In addition to profiles of artists, films by artists and documentaries about creative process and art history, FIFA regularly premieres a double handful of dancefilms and docs about dance. This year’s crop was particularly accomplished. 

Mixed Blessings 

By Kathleen Smith Platform 33 in works by Muñoz, Itoh and Bédard  Damian Muñoz, Platform 33, Kim Itoh, Louise Bedard

There hasn’t been a Toronto show in recent memory to spawn as many heated and diverse opinions as the recent Danceworks show featuring commissioned work for a new collective called Platform 33. Audience members on the evening I attended seemed to position themselves all along the spectrum. I love when that happens, because it usually means a chord of some kind has been struck.  

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