Contributor
Janelle Hardy is a bodyworker and well-rounded creative artist, who works in the fields of dance, painting, photography and writing, most recently presenting a solo exhibition at the Yukon Art Centre Public Art Gallery autumn of 2012. Originally from the far north of Canada, Whitehorse, in the Yukon Territory, she is currently based in the Cowichan Valley Warmlands - Duncan, on Vancouver Island. Janelle works as a Hellerwork Structural Integration practitioner, using myofascial release and movement lessons to bring people into alignment.
Learn more: janellehardy.com and timetorealign.com
Janelle Hardy's Work
Studio Now
By Janelle Hardy Volume 15, Issue 5Leaping Feats Creative Dancworks in Whitehorse – Dance in Yukon Territory
Making Waves
By Janelle Hardy Volume 10, Issue 8Michelle Olson is harvesting the fruits of her history
Presenters and Artists
Support and Power By Aimee Dawn Robinson, Janelle Hardy Volume 10, Issue 3Trust and risk, control and funding. Presenters navigate a challenging terrain between artists and audiences. Here, they share their views on artists development and the power to choose.
Intertwining Difference
By Janelle Hardy “Uqquaq, The Shelter” Geneviève Pepin, Laurentio Q. ArnatsiaqAfter purchasing tickets, we stand in the hot sun in an alleyway outside an abandoned warehouse next to the Boys and Girls Club in downtown Whitehorse. As the first sounds of music snake out from under the closed doors, we are let into the building. Entering a dark cavernous room, our attention focusses on the floor-level stage, set in the round, with a row of chairs on each of four sides.
Posted July 15, 2006Arts & Culture
the right of every child By Janelle Hardy Volume 8, Issue 9According to the United Nations Convention on the Rights of the Child, every child has the right to “participate fully in cultural and artistic life”. Does Canada measure up? One of many community consultations worldwide leading up to the March UNESCO World Conference on Arts Education, the December 2005 Youth Consultation on Arts and Learning in Ottawa put this statement on the table.
Turn Your Partner: Do-Si-Do
the Mt. Lorne barn dances By Janelle Hardy Volume 8, Issue 7Stating that, “There can never be art without community, or community without art”, writer Janelle Hardy argues for an expansion of the definition of art and the inclusion of the Mt. Lorne barn dances within this broader definition.
