Dana Michel’s latest serving challenges us to reach into our imaginations to create our own intimate vocabularies while sitting with the work.
Posted October 9, 2019The Dance Current reflects on a year of dance criticism, by placing image and text together
Our particular moment could perhaps be qualified as one of the strides of disjuncture and difference across the country, but perhaps most acutely in Montréal. Claudia Chan Tak’s new work Bienvenue chez moi, petite Malgache-Chinoise speaks to this disjuncture of identity politics.
Posted February 26, 2018Festival Quartiers Danses offered works by Morgane Le Tiec, Anne-Flore de Rochambeau, Elizabeth Suich and Mélanie Demers. The evening’s performances might have asked, “How might one differently totter, differently walk or differently move beyond our present fragile contemporary lives?”
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