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Writers & Readers

Dan Wild / Photo by Jeremy Mimnagh
 
Writers & Readers

Remembering Dan Wild

Friends and colleagues shared with The Dance Current memories of Wild.

 
Writers & Readers

Welcome to Our World

By Patricia Allison

Can digital innovation during COVID-19 be leveraged in a post-pandemic world to make dance careers more accessible?

Chowdhury and Yip / Photo by Amy Wong
 
Writers & Readers

Dancing Before Walking

By Sima Chowdhury

Sima Chowdhury speaks about her journey to recovery through dance.

A figure in a white tutu dances in a blur
 
Writers & Readers

This Shape

By Kendra Guidolin

Kendra Guidolin shares a short fiction piece on the subject of body image.

Barbara Diabo's Community Project: Life is Good Thanks / photo by Tamara Romanchuk
 
Writers & Readers

(Re)Connecting the Circle

By Amy Hull

Claudia Moore’s MOonhORsE Dance Theatre presented Older & Reckless #42 in November of 2019. Amy Hull responds to the six works presented by artists Bill Coleman, Barbara Kaneratonni Diabo, Christine Friday, Elizabeth Langley, JP Longboat, Byron Chief Moon, and Lee Maracle.

Writers & Readers

Message for International Dance Day From Louise Lecavalier

Louise Lecavalier shares a message for International Dance Day, via Regroupement québécois de la danse.

 
Writers & Readers

All Things West

By Sky Fairchild-Waller

In The Right Eye of Clint, I see an architect – someone who muses over how designed space and humans converge.

 
Writers & Readers

Ecologies of Care

By Andrea Frolic

If you listen to Peggy Baker describe her work move, she’ll tell you the piece is about the experience of giving and receiving care, of being tended to and tending to others.

 
Writers & Readers

Textiles and Truth-Telling

By Kristin Harris Walsh

The word ori is a Yoruba word meaning head and representing one’s life path, purpose, destiny and spiritual intuition. While Afro-Brazilian spiritual beliefs may seem miles away both physically and culturally from St. John’s, Newfoundland and Labrador, the recent production, titled Ori, brought the two together.

 
Writers & Readers

Lights, Curtain, Music

By Anaïs Loewen-Young

For Robert McQueen, one of the most important aspects of a musical is its use of composition; the role of music can make or break a production. “The music isn’t just providing a nice melody,” he states.

 
Writers & Readers

Who Tells and Cries Our Freedom?

By Collette Murray

A student-choreographed routine included dancers wearing slave and master outfits and an attempted tribal dance in dashikis and coloured “Afro” wigs to disco movements. This was April 2018, and the performance held in Barrie, Ontario, sparked a controversial social media reaction on cultural ethics.

 
Writers & Readers

Canadian Dancers Across the Pond

By Rachel Levitt

Fresh out of high school, two friends from “Cowtown” (Calgary, Alberta) upped sticks and made a bold move across the pond to London, England.

 
Writers & Readers

Shawn Hounsell is Always Crossing Boundaries

By Lori Straus

Shawn Hounsell, the choreographer of CBC’s Off Kilter, talks about the business of making dance for TV.

 
Writers & Readers

Diving Deeper

By Jennifer Bolt

In The Dance Current’s July/August 2018 issue Jennifer Bolt wrote about designing a feminist dance pedagogy (“Diving In”). As a continuation of this article, here are some practical tips for how to enact these principles in your teaching practice.

 
Writers & Readers

The Bechdel Checklist

By Grace Wells-Smith

Would Giselle, Swan Lake and The Sleeping Beauty pass the Bechdel Test?

 
Writers & Readers

A Broad Reach

By Holly Harris

In just five short years, the now fifteen-year-old NAfro Dance Productions has made another leap in its own evolution as Western Canada’s African contemporary dance company. The second international Moving Inspirations Dance Festival once again brought the world to Winnipeg, while also proudly celebrating local dance artists who call the Prairie province home.

 
Writers & Readers

Remembering Martine Époque

By Daniel Léveillé

On January 18, 2018 dance communities across Canada lost a founding member – Martine Époque. With a background from the Institut Jaques-Dalcroze, Époque was integral in developing dance courses at the Université de Montréal after arriving in Canada in 1967.

 
Writers & Readers

A Handbook for Ecstatic Survival

By James Reid, Susan Marie Turner

David Earle’s latest book is unusual and utterly engaging. A selection and compilation of David Earle’s notebooks, it features abundant photographs, handwritten notes and deeply moving memories.

 
Writers & Readers

Poetry in Motion

By Nicole Hamilton

BRODSKY / BARYSHNIKOV, presented solely in Russian, began with the faint playing of music and had an almost haunting air as Baryshnikov entered the stage through a large gazebo set piece. His presence, although strong, was beautifully presented as a man seemingly pensive, withered and engrossed in contemplation as he quietly whispered to himself while carrying his briefcase.

 
Writers & Readers

A Contemporary “Kitchen Party”

By Grace Wells-Smith

The Dance Current sat down to speak with Caroline Niklas-Gordon at The Gladstone Café in Toronto about her show Words & Motion: an evening of dance and readings and was immediately met with a storm of conversation and a pot of tea – just like walking into a relative’s house back home, where people always have a story to tell and a knack for telling it.

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