In the Studio | En Studio
In the Studio | En Studio
Susie Burpee: The Contours of Character
By Megan AndrewsSusie Burpee creates “fully human characters, struggling for connection” (The Toronto Star).
Posted April 29, 2011
In the Studio | En Studio
Kaeja d'Dance: Past Future: Kaeja d'Dance at 20 years
By Megan AndrewsOver the last twenty years, you have established your company as a force on the Canadian scene. You have also managed to maintain a family life, as a couple and as parents of two daughters.
Posted March 30, 2011
In the Studio | En Studio
Jacinte Giroux and Jo Leslie
By Megan Andrews, David GaubiacJo Leslie works with Jacinte Giroux as choreographer and rehearsal director. They have a close working relationship and an intuitive way of communicating.
Posted January 31, 2011
In the Studio | En Studio
Alison Denham: playing in space | espace de jeu
By Megan Andrews“It is the role of the interpreter that deeply resonates with me and where I focus my attention.
Posted December 1, 2010
In the Studio | En Studio
Sasha Ivanochko: resilience & love | résilience et amour
By Megan Andrews“My process is based in a combination of rigorous in-studio explorations of the psyche soma connection, voice work and character study.
Posted November 1, 2010
In the Studio | En Studio
Tedd Robinson: beauty, art, retreat, nature | beauté, art, retraite, nature
By Megan Andrews, Rod MacIvorTedd Robinson took up residence in the Pontiac, Québec, in 2005 and has been presenting dance in his barn since the summer of 2007.
Posted September 28, 2010
In the Studio | En Studio
Louise Moyes: St. John's Women & other docudances | et autres docudanses
By Megan Andrews“I call my own work ‘docudance’; it tells my own and others’ life stories/oral histories in a multidisciplinary form that draws from dance foremost, as well as theatre, video and performance.
Posted August 27, 2010
In the Studio | En Studio
Susanna Hood: Shudder
By Megan Andrews, Jeremy MimnaghArtistic director of her Toronto-based interdisciplinary performance company, hum, Susanna Hood is a choreographer, performer, director and teacher working at the intersection of dance and sound.
Posted April 28, 2010
In the Studio | En Studio
Ame Henderson: relay
By Megan Andrews, Bettina HoffmanAme Henderson lives and works in Toronto where she is the artistic director of Public Recordings.
Posted April 6, 2010
In the Studio | En Studio
Jolene Bailie: Sensory Life, Infinite World
By Megan Andrews, Hugh ConacherSince graduating from The School of Contemporary Dancers and The University of Winnipeg in 2000, Jolene Bailie, artistic director of Gearshifting Performance Works, has self-presented and produced over 250 solo shows, six cross-Canada tours and numerous smaller tours; re-mounted fourteen works by senior choreographers; commissioned eight new works; collaborated on several dance-based video projects; and created one evening-length solo work, eight works for pre-professional students and over 125 dances for schools.
Posted January 29, 2010
In the Studio | En Studio
Old Men Dancing: Do Not Resuscitate | Ne pas ressusciter
By Megan Andrews, Esther VincentOld Men Dancing (OMD) was formed by musician and composer Michael Hermiston and emergency medical technician George Barron in 2002.
Posted November 28, 2009
In the Studio | En Studio
José Navas
By Megan Andrews, Valerie SimmonsBorn in Venezuela in 1965, José Navas has been based in Québec since 1991.
Posted October 30, 2009
In the Studio | En Studio
Jorden Morris and the RWB for Moulin Rouge - The Ballet
By Megan Andrews, Bruce MonkAfter retiring as a principal dancer with Canada's Royal Winnipeg Ballet (RWB), Jorden Morris began to explore choreography.
Posted September 30, 2009
In the Studio | En Studio
Janak Khendry
By Megan Andrews, David HouJanak Khendry is an internationally renowned classical dancer, choreographer and the artistic director of the Janak Khendry Dance Company. Photos of Janak Khendry Dance Company in rehearsal by David Hou
Posted September 1, 2009In the Studio | En Studio
Marc Boivin
By Megan Andrews« Longtemps, la simple satisfaction de danser a dépassé mon désir de créer. De l’interprétation à l’enseignement et plus récemment à la chorégraphie, la recherche et le plaisir de la pratique dans ses différentes formes ont tracé mon chemin. | “For a long time, the simple satisfaction of dancing has overridden my desire to create. From interpretation to teaching and more recently choreographing, research and the pleasure of practicing different forms has marked my path.
Posted April 29, 2009
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