Emerging Arts Critics Programme
Emerging Arts Critics Programme
A Calculated Cacophony
By Anna PaliyRendering a minimalist spin on the cautionary tale of affair-turned-despair – deeply rooted in Russian Romanticism – Neumeier produces a vaguely familiar version of Tolstoy’s 1878 novel.
Posted December 11, 2018
Emerging Arts Critics Programme
From Act to Imagination
By John NymanThe Dream and Being and Nothingness, though incongruous, achieved an expansive and satisfying unity: the two works presented equally compelling visions of human experience.
Posted December 4, 2018
Emerging Arts Critics Programme
Sartre, Meet Shakespeare
By Erin BaldwinIf there’s a thread that ties together the two vastly different works in The National Ballet of Canada’s November mixed program, it might just be the theme of love.
Posted December 3, 2018
Emerging Arts Critics Programme
Of Dire Consequence
By Isabella PerroneAnna Karenina might land herself in trouble by cheating on her husband, but she can’t cheat death.
Posted November 27, 2018
Emerging Arts Critics Programme
From Dream to Abstraction
By Taylor LongAt first glance, they aren’t very suitable neighbours. The National Ballet of Canada closed their 2017/2018 season with a mixed program of ballets including the Canadian premiere of recent Tony Award-winner Justin Peck’s Paz de la Jolla.
Posted June 29, 2018
Emerging Arts Critics Programme
Season Closes with Compelling Voices
By Kallee LinsSome of Toronto’s most exciting ballet offerings can be found on The National Ballet of Canada’s mixed programs, and the three works that opened Saturday night at the Four Seasons Centre are no exception.
Posted June 26, 2018
Emerging Arts Critics Programme
Forward Momentum in Frame by Frame
By Josette HalpertHave you ever yearned to step into the mind of a genius - and an Academy Award-winning genius at that?
Posted June 13, 2018
Emerging Arts Critics Programme
Frame by Frame Leaves Minds Reeling in Amazement
By Melissa PoonLights. Camera. Action! Robert Lepage and Guillaume Côté deliver all of these and more in the highly anticipated world premiere of Frame by Frame by the National Ballet of Canada.
Posted June 11, 2018
Emerging Arts Critics Programme
A Magical Madness: Nijinsky
By Eve van EedenAristotle once said: “No great genius ever existed without a touch of madness”. Celebrating the man who personified this expression, Nijinsky is brought to life by The National Ballet of Canada.
Posted December 3, 2017
Emerging Arts Critics Programme
Love Strikes a Chord: Nijinsky
By Wei ShenDirector Stanley Kubrick was once mesmerized by Napoleon Bonaparte. Choreographer John Neumeier’s similar obsession with “Le Dieu de la Danse”, Vaslav Nijinsky, has crystallized into the National Ballet of Canada’s production Nijinsky.
Posted December 3, 2017
Emerging Arts Critics Programme
A Study in Contrasts: The Winter's Tale
By Jaimie NackanToronto’s first snowfall of the season arrived just in time to welcome the November 10 opening night performance of “The Winter’s Tale” by The National Ballet of Canada.
Posted November 17, 2017
Emerging Arts Critics Programme
Definitive Motif in The Winter’s Tale
By Arianna BenincasaChoreographed by Christopher Wheeldon, “The Winter’s Tale” takes a contemporary approach to Shakespeare’s comedic, romantic and tragic “problem play” about jealousy, familial bonds and love.
Posted November 17, 2017
Emerging Arts Critics Programme
Somber Classic Gives National Ballet Stars Time to Shine
By Annick MacAskillThe National Ballet of Canada explores the dark side of love in a regal production of choreographer James Kudelka’s Swan Lake, which opened at the Four Seasons Centre Thursday night.
Posted June 24, 2017
Emerging Arts Critics Programme
A Triumphant Opening
By Rya MarrelliThe Four Seasons Centre for the Performing Arts came alive at the triumphant opening night of The National Ballet of Canada’s Swan Lake on June 15.
Posted June 24, 2017
Emerging Arts Critics Programme
The Demise of Desire
By Annick MacAskillThe National Ballet of Canada’s premiere of choreographer John Neumeier’s A Streetcar Named Desire is an aesthetic triumph and a thought-provoking comment on the destructive nature of repressed sexuality and violence.
Posted June 17, 2017
Emerging Arts Critics Programme
A Haunting Ballet That Does Not Leave the Mind
By Victoria EllinghamAs the audience filtered in to take their seats at the Four Seasons Centre on the evening of June 3rd, they were met with the sight of a lone chair, haphazardly left on its side in the middle of stage.
Posted June 10, 2017
Emerging Arts Critics Programme
All in Sequence
By David RudinWayne McGregor’s Genus and Jerome Robbins’ The Concert are both elaborate choreographies that hinge on the smallest of movements – the twitch of a finger, the crook of an elbow or the flick of a wrist.
Posted April 6, 2017
Emerging Arts Critics Programme
Truly Mixed: Genus, Tarantella, Self and Soul and The Concert
By Valeria NunziatoFour disparate works, precisely crafted by four distinguished artists, make one inspiring collection of dance for The National Ballet of Canada’s mixed program.
Posted April 6, 2017
Emerging Arts Critics Programme
Will Tuckett’s Pinocchio: A Canadian Talkie Ballet
By Dina GinzburgFrom plaid-clad, bearded lumberjacks, to backdrops evoking Group of Seven paintings, to a monstrous whale inhabiting the waters of a Nova Scotian fishing village, The National Ballet of Canada’s Pinocchio pays homage to the country hosting British choreographer Will Tuckett.
Posted March 18, 2017
Emerging Arts Critics Programme
Pinocchio: Hybridized Ballet
By Sabrina PapasIf the audience of the opening night performance of Pinocchio was expecting a wholly classic, balletic rendition when the curtain rose, choreographer Will Tuckett defied those expectations.
Posted March 18, 2017
