logo
Canada’s Dance Magazine
  • PRINT
  • ONLINE
  • LIVE

The National Ballet of Canada

Jillian Vanstone in The Nutcracker / Photo by Alexandar Antonijevic
 
Emerging Arts Critics Programme

A Christmas Reverie

By Sabrina Papas

Performed annually by The National Ballet of Canada, The Nutcracker invites adults and children of all ages into a mystical holiday landscape.

 
Emerging Arts Critics Programme

Onegin

By Rya Marrelli

The exquisite screen of Russian writing at the front of the stage at the Four Seasons Centre for the Performing Arts begins the beautiful work that is choreographer John Cranko’s Onegin.

 
Emerging Arts Critics Programme

Onegin

By Sebastiano Bazzichetto

From the very first note, Tchaikovsky’s Onegin score enchanted, carrying the audience back to the sumptuous days of Imperial Russia.

 
The National Ballet of Canada

The Nutcracker

Performance | Spectacle

Toronto ON
December 10-31 décembre 2016
Various dates and times | Spectacles à différentes dates et heures
Ballet

 
Emerging Arts Critics Programme

Harbingers of the Future

By Sebastiano Bazzichetto

The future of ballet holds great promise, judging from what was on display last Tuesday during the evening of the Twelfth International Competition for the Erik Bruhn Prize.

 
Emerging Arts Critics Programme

Promise for the Future

By David Rudin

Promise for the future, it turns out, can be entertaining in the present.

 
Emerging Arts Critics Programme

Cinderella

By Dina Ginzburg

A great performance requires more than exquisite technique, as National Ballet of Canada principal dancers Sonia Rodriguez and Guillaume Côté continue to prove.

 
Emerging Arts Critics Programme

Cinderella in the Jazz Age

By Victoria Ellingham

The National Ballet of Canada’s Cinderella is certainly not aiming to be flowery. The moment the lights engulf the stage on opening night, November 12, it is obvious this will not be another baroque production.

 
Emerging Arts Critics Programme

A Medley of Magic and Madness

By Marissa Trarback

Before a single dancer appears on stage opening night at The National Ballet of Canada’s production of Giselle, a medley of magic and madness already fills the air.

 
Emerging Arts Critics Programme

Sin and Un-Earned Redemption

By Aziza Mohammed

An innocent peasant girl, a prince in disguise, and an undead queen. Saccharine leitmotifs and the most enthusiastic use of triangle in any orchestral work. Giselle has it all.

Go to page:

LISTINGS THIS WEEK