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Mitchell Rose

 

On the outside looking in 

By Bridget Cauthery Adaptation Project Michael Trent / Dancemakers

I notice his long, sinewy feet and toes. I notice his tattoo. I notice his fencer’s stance with arms curved upwards, wrists twisted inwards. I notice the look of concentration on his face and the tautness in his neck and calves. I notice his strength and his vulnerability.  Bridget Cauthery reviews Dancemakers’ Adaptation Project.

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