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Harrison James

 
Emerging Arts Critics Programme

Sin and Un-Earned Redemption

By Aziza Mohammed

An innocent peasant girl, a prince in disguise, and an undead queen. Saccharine leitmotifs and the most enthusiastic use of triangle in any orchestral work. Giselle has it all.

 
Emerging Arts Critics Programme

Giselle’s Restless Spirit

By Emily Trace

Traditionally described as ‘the ballerina’s Hamlet’, this production of Giselle by The National Ballet of Canada soundly debunks the adage.

 
Emerging Arts Critics Programme

Le Petit Prince

By Grace Wells-Smith

Full of flash and innovation, Le Petit Prince is a step in a different direction for The National Ballet of Canada.

 
Emerging Arts Critics Programme

Le Petit Prince

By Michael Morreale

The National Ballet of Canada’s world premiere of Le Petit Prince had all the makings of a royal feast, but the balance was off.

 
Emerging Arts Critics Programme

Nothing Petit About It

By Liz Ostil

Noticeable excitement hums within the walls of the Four Seasons Centre on opening night as audience members settle into their seats before a giant, projected paper scrawled with the name of Antoine de Saint-Exupéry’s tiniest hero.

 
Emerging Arts Critics Programme

Pure, Smart Entertainment

By Anne Cass

Vitality, glamour and striking humour fill The National Ballet of Canada’s stage at the premiere of Alexander Ekman’s Cacti, with George Balanchine’s The Four Temperaments and Rubies at the Four Seasons Centre for the Performing Arts.

 
Emerging Arts Critics Programme

Forget the Sylph: Where’s Effie?

By Marissa Trarback

In the midst of The National Ballet of Canada’s beautifully rendered performance of La Sylphide at the Four Seasons Centre for the Performing Arts, one might just wonder: where is Effie?

 
Emerging Arts Critics Programme

Competing Priorities

By Aziza Mohammed

While giving the story a subtly contemporary treatment relatable to the modern audience, The National Ballet of Canada’s production of La Sylphide explored the relationship between sacrifice and happiness in a faithful rendition of one of the world’s oldest ballets.

 
Emerging Arts Critics Programme

When Chasing the Sylph…

By Liz Ostil

Set to the traditional score by Herman Severin Løvenskjold, The National Ballet of Canada’s production of La Sylphide revisits one of the oldest classical ballets.

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