Harrison James
Emerging Arts Critics Programme
From Dream to Abstraction
By Taylor LongAt first glance, they aren’t very suitable neighbours. The National Ballet of Canada closed their 2017/2018 season with a mixed program of ballets including the Canadian premiere of recent Tony Award-winner Justin Peck’s Paz de la Jolla.
Posted June 29, 2018
Emerging Arts Critics Programme
Season Closes with Compelling Voices
By Kallee LinsSome of Toronto’s most exciting ballet offerings can be found on The National Ballet of Canada’s mixed programs, and the three works that opened Saturday night at the Four Seasons Centre are no exception.
Posted June 26, 2018
Emerging Arts Critics Programme
Forward Momentum in Frame by Frame
By Josette HalpertHave you ever yearned to step into the mind of a genius - and an Academy Award-winning genius at that?
Posted June 13, 2018
Emerging Arts Critics Programme
Frame by Frame Leaves Minds Reeling in Amazement
By Melissa PoonLights. Camera. Action! Robert Lepage and Guillaume Côté deliver all of these and more in the highly anticipated world premiere of Frame by Frame by the National Ballet of Canada.
Posted June 11, 2018
Emerging Arts Critics Programme
Truly Mixed: Genus, Tarantella, Self and Soul and The Concert
By Valeria NunziatoFour disparate works, precisely crafted by four distinguished artists, make one inspiring collection of dance for The National Ballet of Canada’s mixed program.
Posted April 6, 2017
Emerging Arts Critics Programme
Will Tuckett’s Pinocchio: A Canadian Talkie Ballet
By Dina GinzburgFrom plaid-clad, bearded lumberjacks, to backdrops evoking Group of Seven paintings, to a monstrous whale inhabiting the waters of a Nova Scotian fishing village, The National Ballet of Canada’s Pinocchio pays homage to the country hosting British choreographer Will Tuckett.
Posted March 18, 2017
Emerging Arts Critics Programme
Pinocchio: Hybridized Ballet
By Sabrina PapasIf the audience of the opening night performance of Pinocchio was expecting a wholly classic, balletic rendition when the curtain rose, choreographer Will Tuckett defied those expectations.
Posted March 18, 2017
Emerging Arts Critics Programme
Onegin
By Rya MarrelliThe exquisite screen of Russian writing at the front of the stage at the Four Seasons Centre for the Performing Arts begins the beautiful work that is choreographer John Cranko’s Onegin.
Posted November 29, 2016
Emerging Arts Critics Programme
Onegin
By Sebastiano BazzichettoFrom the very first note, Tchaikovsky’s Onegin score enchanted, carrying the audience back to the sumptuous days of Imperial Russia.
Posted November 29, 2016
Emerging Arts Critics Programme
A Medley of Magic and Madness
By Marissa TrarbackBefore a single dancer appears on stage opening night at The National Ballet of Canada’s production of Giselle, a medley of magic and madness already fills the air.
Posted June 21, 2016
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