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Guillaume Côté

 
Guillaume Côté, Various Artists

Festival des Arts de St-Sauveur 2015

Festival | Festival

Saint-Sauveur QC
July 30-8 août 2015
Various days and times | Spectacles à différentes dates et heures
Various

 
Emerging Arts Critics Programme

Ratmansky & Côté: An Effective Juxtaposition

By Christina Strynatka

What does it mean to find yourself? Is it better to follow a definite narrative, as seen in Guillaume Côté’s Being and Nothingness on the National Ballet’s Ratmansky and Côté program (May 31 performance), or to take a more abstract form, as in the other two pieces on the program, Alexei Ratmansky’s Symphony #9 and Piano Concerto #1?

 
Emerging Arts Critics Programme

Beautiful Choices in Ratmansky and Côté

By Naya Valdellon

When the curtain lifts on The National Ballet of Canada’s Ratmansky & Côté, the theatre lights remain on.

 
Emerging Arts Critics Programme

Madness Ensues at the Ballet

By Deanne Kearney

The ballet is not a biography of Nijinsky’s life per se, nor does it unfold in chronological order. It begins with Nijinsky’s last performance on January 19, 1919, when Nijinsky danced publicly for the last time and called his performance a “Wedding with God.”

 
Emerging Arts Critics Programme

Nijinsky

By Colleen Snell

In ballet, as in life, a dancer never knows which performance will be their last. The National Ballet of Canada’s (NBoC) Nijinsky opens with this dark thought.

Festival des Arts de Saint-Sauveur 2014

This summer’s festival in Quebec’s Laurentian region, July 31-August 9, is a major event featuring the Martha Graham Dance Company, Guillaume Côté, La Compagnie Marie Chouinard and International Ballet: A Night with the Stars.

The National Ballet of Canada, Guillaume Côté, Alexei Ratmansky

Ratmansky & Côté

Performance | Spectacle

Toronto ON
May 30-6 juin 2015
Ballet, Contemporary

 
Emerging Arts Critics Programme

The National Ballet of Canada brings triple bill, Physical Thinking

By Elaisha Green

The Emerging Dance Critics Programme (June 2014) is a partnership with The National Ballet of Canada, grounded in The Dance Current’s educational mandate. Reading Writing Dancing is one of The Dance Current’s educational programs, providing workshops, seminars, mentorship and professional development to emerging and established dance writers alike. As part of our commitment to the field, we partner with like-minded organizations, such as The National Ballet of Canada, to educate dance readers and dance writers, providing public access to dance art and culture, and facilitating dance literacy and appreciation.

 
ProArteDanza, Guillaume Côté, Festival des Arts de Saint-Sauveur

Guillaume Côté at FASS

Performance | Spectacle

Saint-Sauveur QC
July 31 juillet 2014
8:00 | 20h00
Contemporary

Lost In Motion II

Guillaume Côté choreographs Lost In Motion II with director Ben Shirinian to Avalanche performed by Leonard Cohen.

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