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Félix Paquet

Svetlana Lunkina in Wayne McGregor’s Genus / Photo by Aleksandar Antonijevic
 
Emerging Arts Critics Programme

All in Sequence

By David Rudin

Wayne McGregor’s Genus and Jerome Robbins’ The Concert are both elaborate choreographies that hinge on the smallest of movements – the twitch of a finger, the crook of an elbow or the flick of a wrist.

Evan McKie and Tanya Howard in Wayne McGregor’s Genus / Photo by Aleksandar Antonijevic
 
Emerging Arts Critics Programme

Truly Mixed: Genus, Tarantella, Self and Soul and The Concert

By Valeria Nunziato

Four disparate works, precisely crafted by four distinguished artists, make one inspiring collection of dance for The National Ballet of Canada’s mixed program.

 
Emerging Arts Critics Programme

Harbingers of the Future

By Sebastiano Bazzichetto

The future of ballet holds great promise, judging from what was on display last Tuesday during the evening of the Twelfth International Competition for the Erik Bruhn Prize.

 
Emerging Arts Critics Programme

Promise for the Future

By David Rudin

Promise for the future, it turns out, can be entertaining in the present.

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