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Dancers Dwelling

By Andrea Rabinovitch Things Near and Far

Cohorts in the Vancouver dance scene, Anne Cooper, Ziyian Kwan and Ron Stewart have known and worked with each other for thirty years. But creating a concert together, things near & far at the Firehall Arts Centre, was a first. Choreographers Josh Martin and Tedd Robinson brought Dwelling, the title of both pieces, to fruition.



By Pia Lo EDAM Presents...

East Vancouver’s EDAM Dance premiered the six-show run of Threshold – the first in its choreographic series for the 2014-2015 season – with a sold-out evening at their intimate studios.


Triple Bill

By Ben Portis Triple Bill Toronto Dance Theatre

Martingales, the new choreography by Christopher House that premiered in Toronto Dance Theatre’s (TDT) November run at Toronto’s Harbourfront Centre, received much more anticipation, attention and adulation than the other two works on the program – House’s Early Departures (1991) and Thomas Hauert’s Pond Skaters (2013), both remounts. This happened despite the fact that Martingales made its debut in a raw and provisional state.


Dream Interpretation

By Lucy M. May 6,3 Évanouissements

With all the improbabilities of a Haruki Murakami novel, 6,3 Évanouissements leads us on a playful chase through the back door of the theatre before we arrive in our seats. Once sedentary, our perspective on the stage is reconfigured from moment to moment.


The Three Musketeers

By Kate Stashko The Three Musketeers

Alberta Ballet has never been one to shy away from new ways of “doing” ballet and this season that means sword fighting, swashbuckling and high jumps. Their production of The Three Musketeers is a Canadian premiere, created by David Nixon, artistic director of Northern Ballet in Leeds, England.


Le délire domestique

By Philip Szporer Le Délire Domestique

Le délire domestique by choreographer Deborah Dunn is an often absurd piece that is a response to a culture of division and the politics of domestic labour.



A Sawdon Dance premiere By Dani Finch Surfacing

You know a performance has captured you when it encourages you to explore your own emotions. Surfacing, a collection of four new solo works by Rebecca Sawdon of Winnipeg’s Sawdon Dance, had me on an emotional roller coaster throughout the performance – and at different points I was both disturbed and elated.


Tales of Despair and Cheer

By Mary Theresa Kelly Wag

In a seventy-minute solo, Denise Clarke moves from total despair to life-affirming joy, hitting a hundred shades of feeling and gesture in between and keeping the audience close every step of the way.



O Vertigo By Philip Szporer Soif

Thirty years of existence in a dance company’s life is more than a notable marker; it’s an achievement to celebrate and a time to pause and reflect on how the company’s dances are resonating with younger generations. Ginette Laurin’s O Vertigo hit this milestone this year, and delivered the world premiere of Soif to an appreciative hometown crowd.


Cause and Affect

adelheid dance productions’ Elsewhere By Bridget Cauthery elsewhere

Elsewhere, Strauss explains in her program note, is a response to the notion of affect or affect theory. A concept that has been circulating in philosophical spheres since the seventeenth century, affect has become something of a catchphrase within social studies and visual culture in the last twenty-five years.


Kiss & Cry

A Charleroi Danses Production By Kate Morris Kiss & Cry

Like so many works being presented today, Kiss & Cry is a multidisciplinary experiment. It is a dance work, a theatre piece, a work of art, a film, a meditation on the body, a love story, a soundscape and an atmosphere.


Festival Roundup

Dancing on the Edge: Festival of Contemporary Dance By Eury Chang

Since 1988, the Dancing on the Edge festival (DOTE) has been presented at the Firehall Arts Centre and a growing number of partner venues throughout Vancouver. As the city’s longest-running contemporary dance festival, DOTE serves the professional dance milieu through an eclectic program consisting of full-length, mixed bill and site-specific dance works. This year a mixture of emerging, established, local and visiting dancers took to the stage and, like previous years, there seemed to be no particular or overarching aesthetic. However, it would be safe to say that innovative, experimental and works-in-progress foregrounded the entire event. I ventured out to view a handful of such works, which left me with the some lasting impressions.



Dancing Between Boundaries at SummerWorks By Kathleen Smith SummerWorks Performance Festival

Dance and dancers were all over this August’s two-week SummerWorks Festival in Toronto – yet they weren’t only dancing. Within the festival framework, the sensibilities of these artists, their respective positions concerning tradition, technology, engagement and cross-disciplinary collaboration, became highlighted in a provocative and energetic way.


A Difficult Dance: Radical Ballet and the Politics of Reception

By Marie France Forcier Red Light Green Light: radical ballet

Five guys. Playing games. What is going on in their minds?­ These production taglines for DNA Theatre’s newest radical ballet were the extent of the dramaturgical information available for the audience to process Red Light Green Light.

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