Canada’s Dance Magazine
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For Japan 

By Kathleen Smith Dai Don Den 3 Green Tea Collective  

It was with a heightened sense of occasion that a small opening night audience gathered at the Winch to share in the choreographic riches of the third edition of Dai Don Den.  


Routes and Roots 

By Penelope Ford CanAsian International Dance Festival  CanAsian International Dance Festival

In its tenth year, the CanAsian International Dance Festival does more than recognize the multiculturalism of Canadian dance; it reveres the place of tradition in dance.


Peter Chin: ethno-choreographer  

By Megan Andrews “Transmission of the Invisible” Peter Chin, Tribal Crackling Wind

The inimitable Peter Chin is known for his multi-disciplinary work and particularly for his interest in Asian cultures and dance forms. The Jamaican-born, Toronto-based choreographer’s latest work, “Transmission of the Invisible”, carries this interest forward.  

Cross Gender Performance: Dispelling the Binary 

By Bridget Cauthery CanAsian Dance Festival 2006  CanAsian Dance Festival

Transformations: Expressions of Gender Roles in Asian Dance, presented by CanAsian Dance (June 8-11th, 2006), was like opening a jewellery box of precious gems or discovering buried treasure.  


Dancers and Gemstones 

By Kathleen Smith CanAsian Dance Festival Program B  CanAsian Dance Festival

Great dancers are like gemstones. Fully experiencing their brilliance can depend on the sensitivity and fit of the setting theyve been given by the choreographer, composer, set designer etc. When everything is up to the standard such artists can inspire, excitement ensues; mess up with the setting and it feels like a crime against art.  

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