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Contributor

Lee Slinger

Editor

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Lee Slinger, Ph.D., is a Toronto-based researcher, teacher and writer. Her academic interests are in how people use the past to construct identities in the present and ideas of ownership about that knowledge. Her award-nominated dissertation examined the memory of the Tudor era in eighteenth-century Britain. Before graduate studies, she worked in sponsorships at a Québec television station. More recently, she has taught art history and writing skills at OCAD University and Ryerson University and done free-lance writing and copy editing. Her love of dance has always been a part of her life. Since attending L’École supérieure de ballet du Québec in Montréal, she has participated in a variety of recreational classes, studied dance at York and become a devoted audience member. She has been editor at The Dance Current since 2015. 

Lee Slinger's Work

Backstage

Leaping By Lee Slinger

Shot of Scotch Vancouver

From Our Archives

Dominique Dumais By Lee Slinger

In “Dominique Dumais: Fair weather for a rising choreographer” from February 2002, Nova Bhattacharya profiled a young choreographer who was finding her artistic voice and seeking opportunities in which to create. In the intervening time, Dumais spent more than a decade as the artistic associate at Ballett Nationaltheater Mannheim in Germany where she created a full-length work each year. Dumais reflects on her own growth and development since that 2002 article.

Editorial

By Lee Slinger

 

Dancing to the Music

What you need to know about music licensing tariffs and fees By Lee Slinger

What dance artists and instructors need to know about SOCAN and Re:Sound license fees

Editorial

By Lee Slinger

From Our Archives

September 2006: Kiani del Valle By Lee Slinger

Editorial

By Lee Slinger

 
On the Ground

Research and Development

By Sasha Ivanochko, Lee Slinger

Catching up with Sasha Ivanochko

Editorial

By Lee Slinger

Dancing to the Music

What you need to know about music licensing tariffs and fees By Lee Slinger

What dance artists and instructors need to know about SOCAN and Re:Sound license fees.

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