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Emerging Arts Critics Programme

 
Emerging Arts Critics Programme

Harbingers of the Future

By Sebastiano Bazzichetto

The future of ballet holds great promise, judging from what was on display last Tuesday during the evening of the Twelfth International Competition for the Erik Bruhn Prize.

 
Emerging Arts Critics Programme

Promise for the Future

By David Rudin

Promise for the future, it turns out, can be entertaining in the present.

 
Emerging Arts Critics Programme

Cinderella

By Dina Ginzburg

A great performance requires more than exquisite technique, as National Ballet of Canada principal dancers Sonia Rodriguez and Guillaume Côté continue to prove.

 
Emerging Arts Critics Programme

Cinderella in the Jazz Age

By Victoria Ellingham

The National Ballet of Canada’s Cinderella is certainly not aiming to be flowery. The moment the lights engulf the stage on opening night, November 12, it is obvious this will not be another baroque production.

 
Emerging Arts Critics Programme

A Medley of Magic and Madness

By Marissa Trarback

Before a single dancer appears on stage opening night at The National Ballet of Canada’s production of Giselle, a medley of magic and madness already fills the air.

 
Emerging Arts Critics Programme

Sin and Un-Earned Redemption

By Aziza Mohammed

An innocent peasant girl, a prince in disguise, and an undead queen. Saccharine leitmotifs and the most enthusiastic use of triangle in any orchestral work. Giselle has it all.

 
Emerging Arts Critics Programme

Giselle’s Restless Spirit

By Emily Trace

Traditionally described as ‘the ballerina’s Hamlet’, this production of Giselle by The National Ballet of Canada soundly debunks the adage.

 
Emerging Arts Critics Programme

Le Petit Prince

By Grace Wells-Smith

Full of flash and innovation, Le Petit Prince is a step in a different direction for The National Ballet of Canada.

 
Emerging Arts Critics Programme

Le Petit Prince

By Michael Morreale

The National Ballet of Canada’s world premiere of Le Petit Prince had all the makings of a royal feast, but the balance was off.

 
Emerging Arts Critics Programme

Nothing Petit About It

By Liz Ostil

Noticeable excitement hums within the walls of the Four Seasons Centre on opening night as audience members settle into their seats before a giant, projected paper scrawled with the name of Antoine de Saint-Exupéry’s tiniest hero.

 
Emerging Arts Critics Programme

Pure, Smart Entertainment

By Anne Cass

Vitality, glamour and striking humour fill The National Ballet of Canada’s stage at the premiere of Alexander Ekman’s Cacti, with George Balanchine’s The Four Temperaments and Rubies at the Four Seasons Centre for the Performing Arts.

 
Emerging Arts Critics Programme

The Pleasure of Cacti’s Prickle

By Matthew Pariselli

Cacti is a delightfully silly and playful ballet, but also a sharply satirical and pulsating presentation, accentuated by its strategic place in The National Ballet of Canada’s recent mixed programme, which also features Balanchine’s The Four Temperaments and Rubies.

 
Emerging Arts Critics Programme

Forget the Sylph: Where’s Effie?

By Marissa Trarback

In the midst of The National Ballet of Canada’s beautifully rendered performance of La Sylphide at the Four Seasons Centre for the Performing Arts, one might just wonder: where is Effie?

 
Emerging Arts Critics Programme

Competing Priorities

By Aziza Mohammed

While giving the story a subtly contemporary treatment relatable to the modern audience, The National Ballet of Canada’s production of La Sylphide explored the relationship between sacrifice and happiness in a faithful rendition of one of the world’s oldest ballets.

 
Emerging Arts Critics Programme

When Chasing the Sylph…

By Liz Ostil

Set to the traditional score by Herman Severin Løvenskjold, The National Ballet of Canada’s production of La Sylphide revisits one of the oldest classical ballets.

 
Emerging Arts Critics Programme

A Spectacular Tradition

By Grace Wells-Smith

True to its promise, The Nutcracker by The National Ballet of Canada delivers the magic and nostalgia awaited all year round by thousands.

 
Emerging Arts Critics Programme

In its Original Russian

By Emily Trace

James Kudelka’s interpretation of The Nutcracker for The National Ballet of Canada is disarmingly heartfelt.

 
Emerging Arts Critics Programme

Ratmansky’s Romeo and Juliet Finds Balance Between Traditional and Contemporary

By Michael Morreale

In The National Ballet of Canada’s production of Romeo and Juliet, renowned choreographer Alexei Ratmansky distills Shakespeare’s tragic tale of two young lovers with a gentle hand.

 
Emerging Arts Critics Programme

Trios to Duet

By Lucinda Rajaselvan

Guillaume Côté and Elena Lobsanova play the lead roles in Romeo and Juliet, a timeless story of love, humour, tragedy and a deadly blood feud, danced to the famous score by Sergei Prokofiev.

 
Emerging Arts Critics Programme

A Colourful Success

By Matthew Pariselli

The Winter’s Tale is considered one of William Shakespeare’s problem plays, richer in texture than in vibrancy.

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