My artistic trajectory has always been fueled by a persistent curiosity for rethinking flamenco’s place within the world of dance. Or possibly just trying to understand flamenco’s place within the world of dance, especially within the Canadian landscape. And then I recently had a eureka moment. By Rosanna Terracciano
In these first weeks of September, dance studios across the country are embarking on the beginning of a new dance season. The Dance Current was on the ground at the inaugural Toronto Dance Teacher Expo in August to ask participants, “What advice would you give to dance instructors embarking on their career?”
The September/October 2015 print article “Performing and Forming: Choreocinema in the media art of Emily Pelstring” discusses the technology and methods Pelstring used to create Doing My Rounds, Checking Some Rounds. The footage she created was edited together as a music video for Alterity Problem’s (Alex Moskos and Joel Taylor) composition of the same name.
This past spring, tensions simmered in the Toronto dance community between artists and critics in the mainstream media. In this feature article from the July/August 2015 issue, Kathleen Smith has undertaken to investigate the issues that arose – exploring the history, the central issues, the problems and the questions that characterize the discourse today. By Kathleen Smith
Emerging dancers, like their peers in other arts sectors, require determination, ingenuity and discipline. Graduates today seem better equipped to deal with the realities of a career in dance, but they require a strong professional network and community in order to persist. Easing the transition has become a goal for a number of service organizations, while grassroots initiatives and collectives provide spaces of creation and exploration, as well as mentorship opportunities, that keep them dancing. By Kate Morris