Frankie, the newest and youngest member of an exciting contemporary dance company, lives in fear and dread. At work he’s mocked by the choreographer and told to “dance like a man.” Outside of work the city offers no relief: a newspaper headline asks “Should Gays Be Quarantined?” and fresh graffiti screams “AIDS Faggot Die!” The year is 1985, the place San Francisco, and the epidemic has just begun. With his bright yellow Walkman clipped on his belt, Frankie retreats into a music-filled trance. By Kate Morris
In the lead-up to the FIFA World Cup of soccer in Brazil, our editor, Kate Morris, sat down with two Toronto-based dancer-choreographers to discuss Brazilian dance – what they discovered was just how polyvalent and multifaceted Brazil and its dance can be. By Kate Morris
Renowned for his work with Les Grands Ballets Canadiens de Montréal and Cirque du Soleil, veteran costume designer François Barbeau launches an exhibition to showcase his lifelong work at the Centre de l’exposition de l’Université de Montréal, May 25-December 7.
In May 2014, Peggy Baker’s land | body | breath was performed in the Thomson Collection galleries of the Art Gallery of Ontario. Reviewer Ben Portis contextualizes the work, by considering Baker’s extensive performance history at the gallery. By Ben Portis